Elinor Wyllys; Or, The Young Folk of Longbridge: A Tale. Volume 1Cooper, Susan Fenimore
General
Elinor Wyllys; Or, The Young Folk of Longbridge: A Tale. Volume 1
Cooper, Susan Fenimore
Frontier and pioneer life -- United States -- Fiction; Historical fiction
have been obliged to confess that her dress answered a rule given
by a celebrated philosopher--you would not have remarked it. Had
you chanced to meet her of a Sunday, in Mr. Wyllys's
carriage--the Wyllyses always stopped on their way to St. John's
Church, at Longbridge, to offer a couple of seats to the
Hubbards, who were set down at the door of their father's old
Meeting-house--had you seen her of a Sunday, with a neat straw
hat, and the black silk gown, you would have been obliged to
acknowledge that her dress had the double merit, by no means
common, of according with her circumstances, and the sacred
duties she was going to fulfil; the devotion of her neighbours
would not be disturbed by admiration of her toilette.
{"burn some coffee" = roast some coffee; "gig-oh" = a puffed
"gigot" or "leg of mutton" sleeve; "pal-reen" = "pelerine", a
cape or mantle; "gro de nap" = "gros de Naples", a weave of silk
with a corded effect (French)}
At five o'clock, Miss Patsey's company began to assemble; the
Wyllyses were the first to appear; then came Mrs. Taylor, Mrs.
Van Horne, and Mrs. Clapp; Adeline excused herself, she thought
it a bore, Charlie was not worth flirting with. The doctor, Mr.
Taylor, and Mr. Clapp, were expected after tea. And a pleasant,
good-natured evening it proved to be. Miss Patsey's coffee was
excellent; the little black girl, engaged for the occasion,
performed her duties to admiration. Mrs. Taylor thought that she
had scarcely passed such a quiet, pleasant afternoon, since the
halcyon days before her husband was a rich man; she was much
interested in discussing with Miss Patsey, and Miss Wyllys, and
Mrs. Van Horne, various recipes for making bread, hoe-cake, and
other good things. As for Elinor, she told Charlie she had left
her work at home, on purpose that she might have time enough to
look over all his sketches--everything he had to show, old and
new. The drawings, and several oil-paintings were accordingly
produced, and looked over by the young people, and Mr. Wyllys,
who had taken a chair by the table, and joined them. Elinor knew
nothing of drawing, but her general taste was good; she asked
many questions about the details of the art, and was amused and
interested by Charlie's remarks.
{"left her work at home" = the knitting or similar hand-work
engaged in by ladies while they conversed}
"Show us everything, Charlie," said Mr. Wyllys. "I befriended
your genius, you know, in the days of the slate and compound
interest; and, of course, I shall think it due to my own
discernment to admire all your works."
"Of course, you are not afraid of my criticisms," said Elinor; "I
don't know enough to be severe."
"People who know little, my child, generally make very severe
critics," said Mr. Wyllys.
"When they know LITTLE, grandpapa; but mine is honest, humble
ignorance. I know nothing at all on the subject."
Public-domain text, read in full here on John Shaqi.
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