Elinor Wyllys; Or, The Young Folk of Longbridge: A Tale. Volume 1Cooper, Susan Fenimore
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Elinor Wyllys; Or, The Young Folk of Longbridge: A Tale. Volume 1
Cooper, Susan Fenimore
Frontier and pioneer life -- United States -- Fiction; Historical fiction
"Do you remember, Miss Elinor, that Hogarth said anybody
possessing common sense was a better judge of a picture than a
connoisseur?"
{"Hogarth" = William Hogarth (1697-1764), English artist and
printmaker.}
"Did Hogarth say so?--I shall begin to feel qualified to find
fault. That is a very pretty group of children, grandpapa."
"Very pretty;--some of Miss Patsey's little people. And here is
another, quite natural and graceful, Charlie."
"I never see my sister's little scholars but I am tempted to
sketch them. Children are such a charming study; but I am never
satisfied with what I do; a picture of children that is not
thoroughly childlike is detestable. Those are mere scratches."
"What are these faint outlines of figures, with dashes of
colouring here and there?" asked Elinor.
"Oh, those are mere fancies, made entirely for amusement. They
are rude sketches of my own ideas of celebrated pictures that I
have never seen, of course; only as exercises for idle
moments--one way of practising attitudes of figures, and
composition. I keep them more as a lesson of humility than
anything else, for me to remember my own poor conceits when I see
the originals, if that happy day ever come."
"I thought you gave yourself up entirely to landscapes,
Charlie--do you think seriously of pursuing both branches?" asked
Mr. Wyllys.
"No, sir; I give the preference to landscapes; I find, at least,
that field quite wide enough. It seems scarcely possible to unite
both, they are so different in character and detail, and require
such a different course of study."
"That is the great point with you, my boy; you must not waste too
much time upon the ideal portion of the art; you must remember
that the most beautiful ideas in the world will be lost, if the
execution is not in some measure worthy of them."
"I am so well aware of that, sir, that I have done nothing but
study the practical part of my trade for the last three months,
and I feel that it has been of service to me."
"There is water in all your sketches, I believe," said Elinor.
"You must be very partial to it."
"I am, indeed--it is a most delightful study--I should be afraid
to tell you all the pleasure I have in painting water--you would
laugh at me, if I once set off upon my hobby."
"Not at all; you have made me an honest admirer of every variety
of lakes and rivers, since I have seen your pictures."
"When did you first take to water, Charlie?" asked Mr. Wyllys.
"Oh, long ago, sir, when I was a little bit of a shaver. Have you
never when a child, Miss Elinor, received great pleasure, perhaps
a lasting impression, from some natural object that you still
remember distinctly?"
"Yes, I know what you mean--I recollect perfectly several things
of the kind. I believe children have more observation, and
feeling for what is beautiful, than is generally supposed."
Public-domain text, read in full here on John Shaqi.
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