Still, there remained in the family two younger daughters, and Charlie, besides Miss Patsey and Mrs. Hubbard. By the exertions and guidance of Patsey, the assistance of friends, and their own good conduct, the young people, in due time, were all growing up, endowed with good principles, good educations, and with respectable prospects opening before them. At the period of our narrative, the third daughter hoped shortly to become an under-governess in the school where she had been educated; and Mary, the youngest of the family, had such a decided taste for music, that it was thought she would have no difficulty in supporting herself, by giving lessons, in the course of two or three years. Of all the family, Charlie was the one that caused his friends the most anxiety. He was a fine, spirited, intelligent boy; and Uncle Josie had promised to procure a situation for him, with his son-in-law, a commission-merchant and auctioneer, in New York. This plan was very pleasing to Mrs. Hubbard and Miss Patsey; but, unfortunately, Charlie seemed to have no taste for making money, and a fondness for pictures and pencils, that amounted almost to a passion. Here was an unexpected obstacle; Charlie was the pet and spoiled child of the family. All the rest of the young people had been quite satisfied with the different means of support that had offered for each; and they had followed their respective careers with so much quiet good sense, that Charlie's remonstrances against the counting-house, and his strong fancy for an artist's life, was something quite new, and which Miss Patsey scarcely knew how to answer. There was nothing in the least poetical or romantic about Patsey Hubbard, who was all honest kindness and straight-forward common sense. She had no feeling whatever for the fine arts; never read a work of imagination; scarcely knew one tune from another; and had never looked with pleasure at any picture, but one, a portrait of her own respected father, which still occupied the place of honour in their little parlour, nearly covering one side of the wall. This painting, to speak frankly, was anything but a valuable work of art, or a good likeness of the worthy minister. The face was flat and unmeaning, entirely devoid of expression or relief; the body was stiff and hard, like sheet-iron, having, also, much the color of that material, so far as it was covered by the black ministerial coat. One arm was stretched across a table, conspicuous from a carrot-coloured cloth, and the hand was extended over a pile of folios; but it looked quite unequal to the task of opening them. The other arm was disposed of in some manner satisfactory to the artist, no doubt, but by no means easy for the spectator to discover, since the brick-coloured drapery which formed the back-ground to the whole, certainly encroached on the side where nature had placed it. Such as it was, however, Miss Patsey admired this painting