Elinor Wyllys; Or, The Young Folk of Longbridge: A Tale. Volume 1Cooper, Susan Fenimore
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Elinor Wyllys; Or, The Young Folk of Longbridge: A Tale. Volume 1
Cooper, Susan Fenimore
Frontier and pioneer life -- United States -- Fiction; Historical fiction
Charlie, at that moment, returned with his picture in one hand,
and a portfolio in the other. He was rather sorry to find the
Taylors there, for he was far from admiring the gentleman. Mr.
Wyllys was really anxious to see the piece, and asked to look at
it at once. The canvass was placed near a window, in the proper
light, and the covering removed. The Wyllyses were immediately
struck with Charlie's rapid improvement; there was indeed, no
comparison between the young man's first attempts at the art, and
this last piece. His friends all congratulated him on his
success, and Charlie was delighted.
"This settles the question, I think, Miss Patsey," said Mr.
Wyllys.
"I suppose so," said Miss Patsey, with a shake of the head, and a
smile. "I think I can see myself that this picture looks more
natural than the first."
"Quite a tasty painting," said Mr. Taylor, stepping up with a
decided air towards the canvass. "I should conclude, however,
that you would find portRATES a more advantageous business."
"I like landscapes best, sir," replied the youth; and turning to
Mr. Wyllys, he added: "Mr. S----- advised me to please myself as
to the subjects I worked upon."
"Certainly," answered Mr. Wyllys; "and you seem to prefer my
mill-pond, Charlie, to the human face divine."
"But, here are sketches of faces," said Elinor, looking over the
portfolio; "very good, too;--this is excellent--grandpapa, do you
know yourself? and Miss Patsey--very good--Aunt Agnes, too! Why,
Charles, you must have drawn all these from memory."
The sketches Elinor was looking at, were roughly done in ink or
lead-pencil; but were generally good likenesses. Mr. Wyllys took
up one, that had not yet been observed by the rest of the party;
he smiled, and passed it to his granddaughter. Elinor coloured,
and her heart beat as she looked at it, for it was a sketch of
Harry. Mr. Taylor was standing behind her, and recognised it
immediately.
"That is Mr. Hazlehurst, if I am not mistaken; and a very good
likeness, Miss Wyllys."
"I suppose, your son and Harry have met, in Paris, Mr. Taylor,"
said Miss Agnes, by way of turning his attention from Elinor.
"Yes, madam, Thomas mentions having had some intercourse with Mr.
Hazlehurst, and observes, that he sees him, almost every day, in
the TULLYREES; which, Thomas says, is the RENDY-VUSS of the
fashionable world, in Paris."
"Will your son return home soon?"
"Why, no; I think not. He went for six months; but he calculates,
now, to stay some time longer. I am told, Mr. Hazlehurst will not
return until next year;--they might make the European TOWER
together. But Thomas seems to like the CAFFIES and the
BULLY-VARDS of Paris, too much to move from that city."
Elinor was going to take another sketch from the table, when
Charlie quickly passed his hand between Mr. Taylor and herself,
and drew the paper away.
"I beg your pardon--but it is a wretched thing; I did not know it
was there," said the youth, hastily.
Public-domain text, read in full here on John Shaqi.
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