Elinor Wyllys; Or, The Young Folk of Longbridge: A Tale. Volume 1Cooper, Susan Fenimore
General
Elinor Wyllys; Or, The Young Folk of Longbridge: A Tale. Volume 1
Cooper, Susan Fenimore
Frontier and pioneer life -- United States -- Fiction; Historical fiction
{"Cole" = Thomas Cole (1801-1848), American painter and founder
of the so-called Hudson River School of landscape painting;
"Wier" = Robert Weir (1803-1889), another American landscape
painter; "Greenough" = Horatio Greenough (1805-1852), American
sculptor, and a close friend of Susan Fenimore Cooper's father;
"Power" = Hiram Powers (1805-1873), another famous American
sculptor; "Crawford" = Thomas Crawford (1813-1857), another
American sculptor, whose statue of Orpheus was purchased by the
Boston Athenaeum; "cabinet picture" = picture exhibited in a
gallery or museum}
Thoughts like these were passing through Mr. Wyllys's mind, as he
sat looking at Charlie's picture. Mrs. Taylor had, in the mean
time, been making arrangements for her younger children to enter
Miss Patsey's school for the summer. Mr. Taylor having joined the
ladies, something was heard about 'terms,' and the affair
appeared settled. Miss Agnes having mentioned to Mrs. Taylor that
she had intended calling on her, but would now postpone it until
another day, she was so strongly urged to accompany them home,
that she consented to do so, aware that the visit should have
been paid some time before. Accordingly, they all left the
Hubbards together.
It was not often that Miss Patsey's little parlour was so full,
and so much littered, as it had been that afternoon; it generally
looked crowded, if it contained two or three persons besides the
minister's portrait, and was thought out of order, if the large
rocking-chair, or the clumsy, old-fashioned tea-table did not
stand in the very positions they had occupied for the last twelve
years.
Very different was the aspect of things at Mr. Taylor's. Not that
the rooms were imposing, in size, but the elegance of the
furniture was so very striking. Of course, there were two
drawing-rooms, with folding-doors and Brussels carpets; while
everything corresponded to a fashionable model. Mrs. Taylor, good
soul, cared very little for these vanities of life. The
window-blinds, in her two drawing-rooms, were never opened,
except for some occasional morning visiter or evening tea-party;
she herself used what she called the 'living room,' where she
could have her younger children about her, and darn as many
stockings as she chose. The drawing-rooms were opened, however,
for the Wyllyses, who were urged to stay to tea. Miss Agnes
declined the invitation, though Mr. Wyllys and herself remained
long enough to look at the plan of a new house, which Mr. Taylor
was to build shortly; it was to be something quite grand, far
surpassing anything of the kind in the neighbourhood, for Mr.
Taylor had made a mint of money during the past winter.
CHAPTER VI.
"What say'st thou? Wilt thou go along?"
Henry VI.
{William Shakespeare, "3 Henry VI", IV.v.25}
Public-domain text, read in full here on John Shaqi.
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