Elinor Wyllys; Or, The Young Folk of Longbridge: A Tale. Volume 2Cooper, Susan Fenimore
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Elinor Wyllys; Or, The Young Folk of Longbridge: A Tale. Volume 2
Cooper, Susan Fenimore
Frontier and pioneer life -- United States -- Fiction; Historical fiction
"Ah, Miss Elinor!--how do you do?" exclaimed the city lady. "It
is the first time I have had a chance of seeing you since you
returned from the West Indies. You have not been much in New
York, I believe, since you arrived?"
"Only for a day or two."
"And how did you like the West Indies? Is there much aristocracy
at Havana?"
"We found it very pleasant there; and the climate was of so much
service to my aunt, that I shall always remember Havana with
gratitude."
"You did not go into society, then?"
"0h, yes; we made many pleasant acquaintances."
"Well, if I go abroad, I hope it will be to England; though I
should like very well to visit the stores of Paris."
"Have you seen your cousin, Charles Hubbard, since he arrived
from Italy?" inquired Elinor.
"Yes; he called at our boarding-house. He is at Longbridge now,
but he is coming to Saratoga, shortly; for he told me he had
engaged to take several views of Lake George."
"I am sorry be did not come to see us in town; but I am delighted
to hear he is going to Saratoga. Grandpapa, Mrs. Hilson tells me
Charles Hubbard will be at Saratoga, with us!"
"I am very glad to hear it, my child; I want to see Charlie."
"Has he brought home many pictures?" continued Elinor.
"I really don't know; I did not think of asking him."
"I should suppose you would be anxious to see your cousin's
paintings."
"Oh, no; portraits are the only pictures that interest me. I
always have the 'Book of Beauty,' whenever it comes out; you know
they are likenesses of the Peeresses of the English Nobility."
{"Book of Beauty" = "Heath's Book of Beauty" an annual volume
with engravings of famous British women, sponsored by Charles
Heath (1785-1848) (London: Longmans, 1833-1847)}
Elinor bowed. "Yes, I have seen the book."
"I have the 'Children of the Nobility,' too, bound in crimson
silk; it is a very fascinating collection. My friend, Mrs.
Bagman, tells me they are excellent likenesses, particularly the
children of his Royal Highness, the Lord-Mayor."
{"Children of the Nobility" = "Portraits of the Children of the
Nobility," A similar publication, also sponsored by Charles Heath
(Longmans: London, 1838)}
Absurd as such a mistake in heraldry may seem, one might vouch
for having heard others quite as extraordinary.
"They may be like," said Elinor, smiling in spite of herself;
"but I cannot agree with you as to their beauty. I have seen the
volume, and it struck me the artists must have made caricatures
of many of the children, who, no doubt, were pretty in reality."
"I was looking at those engravings only yesterday," said Mr.
Ellsworth, anxious to engage Elinor's attention; "they almost
amount to a libel on childhood; they give the idea of mincing,
affected little creatures, at the very age when children are
almost invariably natural and interesting. I should quarrel very
much with a portrait of my little girl, in the same fashion."
Public-domain text, read in full here on John Shaqi.
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