Elinor Wyllys; Or, The Young Folk of Longbridge: A Tale. Volume 2Cooper, Susan Fenimore
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Elinor Wyllys; Or, The Young Folk of Longbridge: A Tale. Volume 2
Cooper, Susan Fenimore
Frontier and pioneer life -- United States -- Fiction; Historical fiction
"Well, the young ladies liked better to live about at hotels and
boarding-houses in the summer, I believe; they thought it was too
dull at Longbridge. Mr. Taylor didn't care much for the place:
you know there are some people, who, as soon as they have built a
house, and got everything in nice order, want to sell; it seems
as if they did not care to be comfortable; but I suppose it is
only because they are so fond of change."
We may as well observe, by way of parenthesis, that this fancy of
getting rid of a place as soon as it is in fine order, would
probably never occur to any man but an American, and an American
of the particular variety to which Mr. Taylor belonged.
"I don't wonder at his wanting to get rid of the house; but the
situation and the neighbourhood might have satisfied him, I
think," said Charlie, as he accepted Miss Patsey's invitation to
eat the nice supper she had prepared for him.
As he took his seat at the table, Mrs. Hubbard observed, that he
probably had not seen such short-cake as Patsey made, in Rome--to
which Charlie assented warmly. He had wished one evening, in
Florence, he said, for some of his sister's short-cake, and a
good cup of tea of her making; and the same night he dreamed that
the Venus de Medicis had made him some. He was ashamed of himself
for having had such a dream; but it could not be helped, such was
the fact.
{"Venus de Medicis" = Famous nude statue of the Goddess Venus--a
1st Century BC copy of a lost Greek statue by Cleomenes of
Athens--in the Uffizi Gallery in Florence}
Mrs. Hubbard thought no woman, Venus or not, ought to be ashamed
of making good short-cake; if they were bad, that would be a
different matter.
"Well, Charlie, now you have seen all those paintings and figures
you used to talk so much about, what do you think of them?--are
they really so handsome as you expected?" asked his sister.
"They are wonderful!" exclaimed Charlie, with animation; putting
down a short-cake he had just buttered. "Wonderful!--There is no
other word to describe them."
Mrs. Hubbard observed, that she had some notion of a painting,
from the minister's portrait in the parlour--Charlie took up his
short cake--she thought a person might have satisfaction in a
painting; such a picture as that portrait; but as for those stone
figures he used to wish to see, she could not understand what was
the beauty of such idol-like things.
"They are not at all like idols, mother; they are the most noble
conceptions of the human form."
How could they look human? He himself had told her they were made
out of marble; just such marble, she supposed, as was used for
tomb-stones.
"I only wish you could see some of the statues in Italy; the
Laocoon, Niobe, and others I have seen. I think you would feel
then what I felt--what I never can describe in words."
Public-domain text, read in full here on John Shaqi.
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