Thus most of the dynasties of Europe were interested in the festivities in honor of the aged pair, and sent congratulations to the secluded spot on Starnberg Lake, where the event was celebrated, and where many touching proofs of the loyalty of the people of Bavaria were also received. Maximilian Joseph belonged to the most eccentric and popular branch of the Bavarian royal family. Educated directly under the eye of his grandfather, his childhood had been spent partly in Bamberg, partly in Munich. At the age of eighteen he entered the University of Munich, where he applied himself assiduously to the study of history, natural science, and political economy, and on coming of age he was given, as provided by the Bavarian constitution, a seat in the Senate chamber. But he did not aspire to fame, either as orator or statesman; nor did he strive for military distinction, though at the age of thirty he was assigned to the command of a regiment of cavalry and in 1857 was invested with the rank of general. His natural love for science, literature, and art more often led him to exchange his uniform for the simple civilian dress. During the youth of the Duke a musician, named Johann Petzmacher, created a great stir. He was born in 1803, the son of an innkeeper in Vienna, and in his eighteenth year accidentally learned to play the homely zither with which the mountaineers of the Austrian and Bavarian highlands accompany their folk songs. He soon became so absorbed in the possibilities of this instrument that he gave up everything else to devote himself to it. His fame as a performer soon spread far and wide. He played before the most select circles of Vienna and even at court, and made tours throughout Germany, being received everywhere with the greatest enthusiasm. Duke Max first heard him in 1837 at a concert in Bamberg, and determined to learn to play the zither under the master’s direction. Petzmacher was introduced to the would-be virtuoso, and from that time until his death made his home with his art-loving patron. The Duke in 1838 undertook a long journey through Asia and Africa, and his musician friend accompanied him. Savages listened with delight to his playing, and as the two friends sat on the top of the Egyptian pyramids or camped in the hot desert sands, the homely melodies carried their thoughts back to loved ones in Germany, and dangers and hardships were forgotten. While on this journey Duke Max wrote several musical compositions which were afterwards performed in public and received with great applause. Under the name of “Phantasus,” he wrote a collection of dramatic poems and novels that showed no small literary talent. More noteworthy than these, however, is his “Travels in the Orient,” a book of considerable merit. On his return to Bavaria he had a circus ring constructed in the rear of his palace in the Ludwigstrasse, at Munich, which aroused much curiosity, where he frequently made his appearance as