Elizabethan Demonology: An Essay in Illustration of the Belief in the Existence of Devils, and the Powers Possessed By Them, as It Was Generally Held during the Period of the Reformation, and the Times Immediately Succeeding; with Special Reference to Shakspere and His WorksSpalding, Thomas Alfred
History
Elizabethan Demonology: An Essay in Illustration of the Belief in the Existence of Devils, and the Powers Possessed By Them, as It Was Generally Held during the Period of the Reformation, and the Times Immediately Succeeding; with Special Reference to Shakspere and His Works
Spalding, Thomas Alfred
Demonology -- England -- History -- 16th century; Demonology in literature; Devil in literature; Reformation -- England; Shakespeare, William, 1564-1616 -- Knowledge -- Occultism
9. The object, therefore, which I have had in view in the compilation of
the following pages, is to attempt to throw some additional light upon a
condition of thought, utterly different from any belief that has firm
hold in the present generation, that was current and peculiarly
prominent during the lifetime of the man who bears overwhelmingly the
greatest name, either in our own or any other literature. It may be
said, and perhaps with much force, that enough, and more than enough,
has been written in the way of Shakspere criticism. But is it not better
that somewhat too much should be written upon such a subject than too
little? We cannot expect that every one shall see all the greatness of
Shakspere's vast and complex mind--by one a truth will be grasped that
has eluded the vigilance of others;--and it is better that those who can
by no possibility grasp anything at all should have patient hearing,
rather than that any additional light should be lost. The useless,
lifeless criticism vanishes quietly away into chaos; the good remains
quietly to be useful: and it is in reliance upon the justice and
certainty of this law that I aim at bringing before the mind, as clearly
as may be, a phase of belief that was continually and powerfully
influencing Shakspere during the whole of his life, but is now well-nigh
forgotten or entirely misunderstood. If the endeavour is a useless and
unprofitable one, let it be forgotten--I am content; but I hope to be
able to show that an investigation of the subject does furnish us with a
key which, in a manner, unlocks the secrets of Shakspere's heart, and
brings us closer to the real living man--to the very soul of him who,
with hardly any history in the accepted sense of the word, has left us
in his works a biography of far deeper and more precious meaning, if we
will but understand it.
10. But it may be said that Shakspere, of all men, is able to speak for
himself without aid or comment. His works appeal to all, young and old,
in every time, every nation. It is true; he can be understood. He is,
to use again Ben Jonson's oft-quoted words, "Not of an age, but for
all time." Yet he is so thoroughly imbued with the spirit and opinions
of his era, that without a certain comprehension of the men of
the Elizabethan period he cannot be understood fully. Indeed,
his greatness is to a large extent due to his sympathy with the men
around him, his power of clearly thinking out the answers to the
all-time questions, and giving a voice to them that his contemporaries
could understand;--answers that others could not for themselves
formulate--could, perhaps, only vaguely and dimly feel after. To
understand these answers fully, the language in which they were
delivered must be first thoroughly mastered.
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