38. The greater devils, or the most important of them, had distinguishing names--strange, uncouth names; some of them telling of a heathenish origin; others inexplicable and almost unpronounceable--as Ashtaroth, Bael, Belial, Zephar, Cerberus, Phoenix, Balam (why he?), and Haagenti, Leraie, Marchosias, Gusoin, Glasya Labolas. Scot enumerates seventy-nine, the above amongst them, and he does not by any means exhaust the number. As each arch-devil had twenty, thirty, or forty legions of inferior spirits under his command, and a legion was composed of six hundred and sixty-six devils, it is not surprising that the latter did not obtain distinguishing names until they made their appearance upon earth, when they frequently obtained one from the form they loved to assume; for example, the familiars of the witches in "Macbeth"--Paddock (toad), Graymalkin (cat), and Harpier (harpy, possibly). Is it surprising that, with resources of this nature at his command, such an adept in the art of necromancy as Owen Glendower should hold Harry Percy, much to his disgust, at the least nine hours "In reckoning up the several devils' names That were his lackeys"? Of the twenty devils mentioned by Shakspere, four only belong to the class of greater devils. Hecate, the principal patroness of witchcraft, is referred to frequently, and appears once upon the scene.[1] The two others are Amaimon and Barbazon, both of whom are mentioned twice. Amaimon was a very important personage, being no other than one of the four kings. Ziminar was King of the North, and is referred to in "Henry VI. Part I.;"[2] Gorson of the South; Goap of the West; and Amaimon of the East. He is mentioned in "Henry IV. Part I.,"[3] and "Merry Wives."[4] Barbazon also occurs in the same passage in the latter play, and again in "Henry V."[5]--a fact that does to a slight extent help to bear out the otherwise ascertained chronological sequence of these plays. The remainder of the devils belong to the second class. Nine of these occur in "King Lear," and will be referred to again when the subject of possession is touched upon.[6] [Footnote 1: It is perhaps worthy of remark that in every case except the allusion in the probably spurious Henry VI., "I speak not to that railing Hecate," (I Hen. VI. III. ii. 64), the name is "Hecat," a di-syllable.] [Footnote 2: V. iii. 6.] [Footnote 3: II. iv. 370.] [Footnote 4: II. ii. 311.] [Footnote 5: II. i. 57. Scot, p. 393.] [Footnote 6: § 65.]