Ellen Terry and Her SistersPemberton, T. Edgar (Thomas Edgar)
History
Ellen Terry and Her Sisters
Pemberton, T. Edgar (Thomas Edgar)
Actresses -- Great Britain -- Biography; Terry, Ellen, Dame, 1847-1928
"But Ellen Terry's charm, her delightful grace and innate refinement,
quite disarmed the prudes, and Cupid triumphed in front of the curtain
as well as behind it, and lightly shot his darts in all directions. Miss
Hodson was at that time a deservedly great favourite, but the Terry
sisters unconsciously became the founders of a new cult among local
playgoers, and set up an empire of their own; in fact, I am hardly
exaggerating if I say that there were among the gilded youth of Bristol
two rival factions--the Hodson faction and the Terry faction, whose
friendly antagonism was as keen, if not as fatal, as that of the
Montagues and the Capulets.
"If my memory serves me right, Ellen was the Dictys of the other
burlesque, Miss Hodson and Miss Kate Terry playing the two _rôles_ of
the title. In one of these pieces Arthur Wood had to speak a line in
which occurs the phrase, "such a mystery here." He made much nightly
capital--for these burlesques had long runs considering they were played
by a stock company in a provincial theatre--by emphasising the syllables
of 'mystery,' so as to make the sentence sound 'such a Miss Terry here.'
"I was only a general utility actor in that company, and I had to play
one of the crowd in 'Perseus and Andromeda,' whose duty it was to be
suddenly turned to stone, after the fashion of Lot's wife--only with a
more studied artistic pose--at the sight of Medusa's head. In order to
give _vraisemblance_ to the illusion, we of the populace were costumed
in a parti-coloured fashion, one half white, the other half of some
strong colour, and our faces were made up on one side only with a sort
of whitewash. When, at the given signal, we turned round our white sides
with the precision of soldiers at drill to the full stream of the
limelight, striking simultaneously more or less statuesque attitudes,
the situation was, for those days, effective, and nightly brought down
the house and evoked a call for the manager. I recollect that before the
production, in order to ascertain the effect of the whitewash, one or
two of us, true to our profession of 'general utility,' had to put it on
at a midnight rehearsal, after we had resumed our ordinary dress. Many
years have elapsed since the incident, yet I can still hear the peals of
musical laughter with which Ellen Terry greeted our intensely comical
appearance, and I can still see the mischief and good-natured ridicule
sparkling in her merry eyes.
Public-domain text, read in full here on John Shaqi.
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