Ellen Terry and Her SistersPemberton, T. Edgar (Thomas Edgar)
History
Ellen Terry and Her Sisters
Pemberton, T. Edgar (Thomas Edgar)
Actresses -- Great Britain -- Biography; Terry, Ellen, Dame, 1847-1928
Alice, Niece to Brown Miss Madge Robertson.
Matilda Peppercorn Miss Louisa Thorne
Speaking by the light of to-day, this was indeed a rich cast, and it is
interesting to note how Madge Robertson and Ellen Terry--destined to
become the two greatest actresses of their generation--thus played
together in their "'prentice days." No doubt the "singing fairy" of the
evening inspired Titania with her admiration for Mrs. Kendal's exquisite
voice.
Long after their stock company days, the Terry Sisters held their
well-merited and remarkable popularity in Bristol. That distinguished
actor, W. H. Vernon, who, as we have seen, graduated as one of Mr.
Chute's "young people," has told me how enthusiastically they were
received when, with London honours thick upon them, they came to "star"
in their old "school," in a piece called "A Sister's Penance," which had
been a great success at the Adelphi Theatre. Vernon, who was "Miss
Nelly's" lover on that occasion, was immensely struck by her merriment
and high spirits at the rehearsal in the morning and (in contrast) her
wonderful display of true emotion in the performance of the evening.
In connection with Ellen Terry's next appearance in London, it is
curious to note that in the famous Bath programme that preceded it,
William Rignold should figure as "Lord Dundreary"--the "Spirit of the
Hour"; and that she should be so aptly chosen for "The Spirit of the
Future."
CHAPTER IV
AT THE HAYMARKET THEATRE
The compiler of the Bath programme was right when he spoke of Lord
Dundreary as the "Spirit of the Hour." The phenomenal success of the
late E. A. Sothern in this eccentric and most original character, at the
Haymarket Theatre, had taken all London (nay, all England) by storm. At
the time of which I am writing the name of Dundreary was upon the lips
of every one. Men cultivated Dundreary whiskers, and affected Dundreary
coats, waistcoats, and trousers; indeed, Sothern had become such a good
friend to the tailors that, if he would have accepted them, he might
have been furnished, without any mention of payment, with clothes
sufficient for a dozen lifetimes. His dressing-room at the Haymarket was
crowded with parcels sent by energetic haberdashers, who knew that if by
wearing it upon the stage he would set the fashion for a certain sort of
necktie, or a particular pattern of shirt-cuff or collar, their fortunes
would be half made; and hatters and boot-makers followed in the
haberdashers' wake. Dundreary photographs were seen everywhere.
"Dundrearyisms," as they came to be called, were the fashionable _mots_
of the day; and little books (generally very badly done) dealing with
the imaginary doings of Dundreary under every possible condition, and in
every quarter of the globe, were in their thousands sold at the street
corners. Concerning Dundreary quite three parts of England went more
than half mad, and not to know all about him and his deliciously quaint
Public-domain text, read in full here on John Shaqi.
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