[Cover Illustration]
=E L M E R G A N T R Y=
=B Y=
=S I N C L A I R L E W I S=
=N E W Y O R K=
=H A R C O U R T , B R A C E A N D C O M P A N Y=
C O P Y R I G H T , 1 9 2 7 , B Y
H A R C O U R T , B R A C E A N D C O M P A N Y , I N C .
Fourteenth printing, September, 1928
PRINTED IN THE U. S. A. BY
QUINN & BODEN COMPANY, INC,
RAHWAY, N. J.
_To_
H. L. MENCKEN
_with profound admiration_
No character in this book
is the portrait of any actual
person.
S. L.
E L M E R G A N T R Y
CHAPTER I
I
ELMER GANTRY was drunk. He was eloquently drunk, lovingly and
pugnaciously drunk. He leaned against the bar of the Old Home Sample
Room, the most gilded and urbane saloon in Cato, Missouri, and requested
the bartender to join him in “The Good Old Summer Time,” the waltz of
the day.
Blowing on a glass, polishing it and glancing at Elmer through its
flashing rotundity, the bartender remarked that he wasn’t much of a hand
at this here singing business. But he smiled. No bartender could have
done other than smile on Elmer, so inspired and full of gallantry and
hell-raising was he, and so dominating was his beefy grin.
“All right, old socks,” agreed Elmer. “Me and my roommate’ll show you
some singing as is singing! Meet roommate. Jim Lefferts. Bes’ roommate
in world. Wouldn’t live with him if wasn’t! Bes’ quarterback in Milwest.
Meet roommate.”
The bartender again met Mr. Lefferts, with protestations of
distinguished pleasure.
Elmer and Jim Lefferts retired to a table to nourish the long, rich,
chocolate strains suitable to drunken melody. Actually, they sang very
well. Jim had a resolute tenor, and as to Elmer Gantry, even more than
his bulk, his thick black hair, his venturesome black eyes, you
remembered that arousing barytone. He was born to be a senator. He never
said anything important, and he always said it sonorously. He could make
“Good morning” seem profound as Kant, welcoming as a brass band, and
uplifting as a cathedral organ. It was a ’cello, his voice, and in the
enchantment of it you did not hear his slang, his boasting, his smut,
and the dreadful violence which (at this period) he performed on
singulars and plurals.
Luxuriously as a wayfarer drinking cool beer they caressed the phrases
in linked sweetness long drawn out:
Public-domain text, read in full here on John Shaqi.
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