Elm Street was the pride of Rockland, but not only on account of its
Gothic-arched vista. In this street were most of the great houses, or
“mansion-houses,” as it was usual to call them. Along this street,
also, the more nicely kept and neatly painted dwellings were chiefly
congregated. It was the correct thing for a Rockland dignitary to have a
house in Elm Street. A New England “mansion-house” is naturally square,
with dormer windows projecting from the roof, which has a balustrade
with turned posts round it. It shows a good breadth of front-yard
before its door, as its owner shows a respectable expanse of a clean
shirt-front. It has a lateral margin beyond its stables and offices, as
its master wears his white wrist bands showing beyond his coat-cuffs.
It may not have what can properly be called grounds, but it must have
elbow-room, at any rate. Without it, it is like a man who is always
tight-buttoned for want of any linen to show. The mansion-house which
has had to “button itself up tight in fences, for want of green or
gravel margin,” will be advertising for boarders presently. The old
English pattern of the New England mansion-house, only on a somewhat
grander scale, is Sir Thomas Abney's place, where dear, good Dr. Watts
said prayers for the family, and wrote those blessed hymns of his that
sing us into consciousness in our cradles, and come back to us in sweet,
single verses, between the moments of wandering and of stupor, when we
lie dying, and sound over us when we can no longer hear them, bringing
grateful tears to the hot, aching eyes beneath the thick, black veils,
and carrying the holy calm with them which filled the good man's
heart, as he prayed and sung under the shelter of the old English
mansion-house. Next to the mansion-houses, came the two-story trim,
white-painted, “genteel” houses, which, being more gossipy and less
nicely bred, crowded close up to the street, instead of standing
back from it with arms akimbo, like the mansion-houses. Their little
front-yards were very commonly full of lilac and syringa and other
bushes, which were allowed to smother the lower story almost to the
exclusion of light and airy so that, what with small windows and
small windowpanes, and the darkness made by these choking growths of
shrubbery, the front parlors of some of these houses were the most
tomb-like, melancholy places that could be found anywhere among
the abodes of the living. Their garnishing was apt to assist this
impression. Large-patterned carpets, which always look discontented
in little rooms, haircloth furniture, black and shiny as beetles' wing
cases, and centre-tables, with a sullen oil-lamp of the kind called
astral by our imaginative ancestors, in the centre,--these things
were inevitable. In set piles round the lamp was ranged the current
literature of the day, in the form of Temperance Documents, unbound
numbers of one of the Unknown Public's Magazines with worn-out steel
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account