The exercise of the natural arts, which may be carried on by
one man alone, leads on to the industrial arts which call for the
cooperation of many hands. The former may be carried on by hermits,
by savages, but the others can only arise in a society, and they
make society necessary. So long as only bodily needs are recognised
man is self-sufficing; with superfluity comes the need for division
and distribution of labour, for though one man working alone can
earn a man's living, one hundred men working together can earn the
living of two hundred. As soon as some men are idle, others must
work to make up for their idleness.
Your main object should be to keep out of your scholar's way all
idea of such social relations as he cannot understand, but when
the development of knowledge compels you to show him the mutual
dependence of mankind, instead of showing him its moral side, turn
all his attention at first towards industry and the mechanical arts
which make men useful to one another. While you take him from one
workshop to another, let him try his hand at every trade you show
him, and do not let him leave it till he has thoroughly learnt why
everything is done, or at least everything that has attracted his
attention. With this aim you should take a share in his work and
set him an example. Be yourself the apprentice that he may become
a master; you may expect him to learn more in one hour's work than
he would retain after a whole day's explanation.
The value set by the general public on the various arts is in
inverse ratio to their real utility. They are even valued directly
according to their uselessness. This might be expected. The most useful
arts are the worst paid, for the number of workmen is regulated by
the demand, and the work which everybody requires must necessarily be
paid at a rate which puts it within the reach of the poor. On the
other hand, those great people who are called artists, not artisans,
who labour only for the rich and idle, put a fancy price on their
trifles; and as the real value of this vain labour is purely
imaginary, the price itself adds to their market value, and they
are valued according to their costliness. The rich think so much
of these things, not because they are useful, but because they are
beyond the reach of the poor. Nolo habere bona, nisi quibus populus
inviderit.
What will become of your pupils if you let them acquire this foolish
prejudice, if you share it yourself? If, for instance, they see you
show more politeness in a jeweller's shop than in a locksmith's.
What idea will they form of the true worth of the arts and the real
value of things when they see, on the one hand, a fancy price and,
on the other, the price of real utility, and that the more a thing
costs the less it is worth? As soon as you let them get hold of
these ideas, you may give up all attempt at further education; in
spite of you they will be like all the other scholars--you have
wasted fourteen years.
Public-domain text, read in full here on John Shaqi.
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