Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
No sooner had he collected his observations, and made his preliminary
studies for a book, than they ceased, as such, to interest him.
Thenceforth the chief matter of import to him was to write this book in
perfect language. And language became everything, while the carefully
prepared notes dwindled into wholly subordinate affairs. That he
was accurate and reliable he was in the habit of declaring to be no
merit on his part, simply the justice an author owed the public; for
truthfulness, in and for itself, had nothing whatever to do with art.
"No," he would cry, in tones of thunder, flinging out his arms as
he spoke, "the only important and enduring thing under the sun, is a
well-formed sentence, a sentence with hand and foot, that harmonizes
with the sentences preceding and following it, and that falls
pleasantly on the ear when it is read aloud." So he wrote very little
each day, at the utmost not more than two or three pages, weighed each
word in order to avoid repetitions, rhymes, and crude expressions, and
relentlessly pursued a repeated word, even at a distance of thirty or
forty lines; indeed he could not so much as endure the recurrence of
the same syllable in one sentence. Often a single letter vexed him,
and he would search patiently for words in which it was not found;
sometimes he devoted considerable energy to an eager chase for an
"r" when he needed a rolling sound. He always read aloud what he had
written, singing it out in his stentorian voice, so that the passers-by
would stand still in front of his house to listen. Many called him the
advocate, and believed that he was practising a speech for court.
He suffered torments during his efforts to attain perfection. They
were the pangs of childbirth which every author knows, but his were so
agonizing that he was many times forced to spring to his feet, shriek
aloud, and call himself a blockhead, an idiot! for no sooner was one
doubt overcome than another had already arisen. At his writing-table
he sat as one magnetized, wholly absorbed in his work, and lost in
silent contemplation of his subject. Turgenief, who was his faithful
and intimate friend, and saw him very often, declared that it was
exceedingly touching to see Flaubert, the most impatient of mortals,
so patient in his struggles with language. One day, after he had been
working uninterruptedly the whole day at a single page of his last
novel, he went out to take a meal, and when he returned late in the
evening he thought he would edify himself by reading his page in
bed; but alas! it failed to satisfy him. He sprang excitedly out of
bed,--tall man of over fifty years of age as he was,--began to rewrite
the page, clad in no other apparel than his night-shirt, and wrote and
rewrote the whole night long, sometimes working at his writing-table,
sometimes, when driven from it by the cold, continuing his labors in
bed.
Public-domain text, read in full here on John Shaqi.
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