Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
Instinct is directly the voice of the blood. Hence it comes that
Heyse's characters are deeply rooted in family and race. Like the
law of Moses, they seem to teach that the soul is in the blood. They
follow the voice of the blood, and to it they appeal. The undeveloped
ones among them are the vigorous expression of the type of a race;
the developed ones know their own nature and respect it; they accept
it as it is with the feeling that it cannot be altered; they are
as thoroughly guided by the instinct of their natures as are the
characters of Balzac by selfishness. In order to render clear my
meaning, let me quote a few passages from the "Kinder der Welt."
When Edwin falls passionately in love with Toinette, his brother
Balder, unknown to him, goes to her to implore her not to reject his
brother, through caprice or frivolity, and throw herself away on a
stranger. Her answer to his appeal is that she has but just learned
and comprehended wherefore it is that in her whole life she has never
been able to gain happiness. She has been informed of the secret of
her origin, namely, that her unhappy mother had been betrayed into
her father's power through force, and from this fact she draws the
certainty that it is impossible for her to love. "My friend," says
she, "I feel sure you mean well by me, you and your brother, but it
would be criminal in me to persuade myself that you could help me now
that everything is so clear to me, and that I am convinced that my
destiny irrevocably _lies in the blood_." (The words are emphasized in
the text.) This is in her eyes the last irrefutable argument. In all
the characters of the book this respect for nature, almost bordering
on superstition, is prominent. As it is with Toinette, so it is in
the case of her opposite pole Lea. They are contrasts in every point;
in this one particular alone they accord. After Lea, who has become
the wife of Edwin, has learned how much power the memory of Toinette
still exercises over his heart, and is overpowered with grief at the
discovery, she is one day reading a book by Edwin, and for a time
consoling herself by considering how much she understands of his
writings that would be above the comprehension of another woman, when
suddenly she flings away the book, for the thought rushes through her
brain "how powerless is all comprehension of _minds_ in comparison with
the blind, irrational elemental attraction of _natures_ which enslaves
all freedom and infatuates the wisest." She is a woman apparently of
a purely intellectual mould. A lively, ardent desire for knowledge
and for clearness of mental vision has led her to Edwin; he gave her
instructions in--philosophy. One would therefore suppose that she,
on her part, would at this crisis have attempted to combat the magic
power of the blood by an appeal to the intellectual forces which have
for so long united her with Edwin. On the contrary. Far from being
characterized as all mind and soul, she is beyond all else a _nature_.
Public-domain text, read in full here on John Shaqi.
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