Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
sufficient for happiness, and it would be poor testimony, indeed, in
behalf of the indispensability of dogmatic belief that a highly gifted
and eminently critical youth of twenty years of age (who, moreover,
both earlier and later managed to make his way cheerfully through the
world without dogmatic belief) passed one whole winter in a state
of profound aversion to action, overwhelmed with that sense of the
misery of existence, with which every speculative mind is compelled to
contend, and which almost every one is forced to conquer at least once
in a lifetime. Among highly developed men there are but few who have
not known this self-abandonment; with some it is of short duration,
with others it becomes chronic: the exterior cause, as well as the
weapons to be used against it, alone differ. Every one has his armor
against discontent, one the impulse to work, another ambition, another
family life, another frivolity; but through the meshes of his coat of
mail weariness of life will occasionally find its way. With Stuart
Mill this armor was manifestly the certainty of being in harmony with
the mind of another person whom he esteemed more highly than himself.
We must not overlook his own utterance that if he had, during the
sorrowful crisis, "loved any one sufficiently to making confiding his
griefs a necessity, he should not have been in the condition he was."
Had Mill at that time been acquainted with his future wife, the crisis
would certainly not have assumed such an acute character: _she_ would
have helped him to conquer his profound dejection more surely than
dogmas and moral systems. This is very obvious from the pertinent words
with which he has described his condition, "I was thus, as I said to
myself, stranded at the commencement of my voyage, with a well equipped
ship and a rudder, but no sail." The sail of this ship, which bore so
rich and precious a freight, was and always remained his enthusiastic
tendency to bow in profound submission before a chosen idol. At that
period the influence of his father was markedly on the wane, that of
his wife had not yet begun; consequently he stood still.
Public-domain text, read in full here on John Shaqi.
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