Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
So much, at least, was made very plain in my first conversation with
Mill, that the gain of this woman friend was the greatest boon of his
life. Only in one of the passages that he has written about her has
he succeeded in giving an exact idea of the peculiar nature of her
character, and that is where he compares her to Shelley. A female
Shelley--so she stood before him in his youth; later, even Shelley,
who was so early snatched away, seemed to him a child in thought and
intellectual maturity in comparison with what she became. He states
many times, in very decided terms, what he owes to her: the perception
of the region of ultimate aims, that is, the final consequences of
theory; and of that of the nearest means, that is, of the immediately
useful and practically attainable. The original endowment which he
himself acknowledges, was now directed to the fusion of these extremes,
to finding the medium course in political and moral truths.
Nevertheless, it does not seem to me probable that Mrs. Mill inspired
her husband with any direct new thought. The essential significance to
him must, I think, be sought in two other points. In the first place,
she strengthened his mental courage, and it is the boldness rather than
the novelty of thought that gives its character to such classic works,
as "On Liberty." Many times, even during our first conversation, he
returned with regret to the lack of courage that everywhere withholds
writers from supporting new ideas. He said, "There are writers of the
first rank, such as George Sand, whose actual originality consists in
courage. I leave out of consideration," he added, "her indescribably
beautiful style, whose music can only be compared with the pleasing
sounds of a symphony." The very confidence that a sense of harmony with
the thought of another arouses, had enabled the wife of Stuart Mill to
promote in him the courage he so extolled in George Sand.
In the second place, through her female universality, Mrs. Mill
prevented her husband from running into any prejudice whatsoever. She
confirmed in his mind a certain scepticism that led him to keep open
amid the ice of doctrine one spot that would never freeze; and in thus
inclining him to be sceptical, she became the cause of his progress.
While the majority of so-called freethinkers have almost always
purchased relative free thought in one point with double obduracy in
other respects, Mill was continually on his guard against conventional
prejudice; indeed, until the day of his death he carried on a sharp
warfare against it, ferreting it out in its stronghold with the utmost
intrepidity, in order to denounce and annihilate it.
Public-domain text, read in full here on John Shaqi.
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