Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 2 (of 3)Shelley, Mary Wollstonecraft
History
Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 2 (of 3)
Shelley, Mary Wollstonecraft
Authors -- Biography; Scientists -- Biography
The poet's heart and soul were in his profession, and his operas were
written with that fervent and exalted spirit which marks the
compositions of genius; while his modesty engendered doubts concerning
their reception, which were delightfully dissipated by the triumph of
their success. His feelings are all ingenuously expressed in his letters
to Marianna Bulgarelli, who, together with her husband, still remained
at Rome with the poet's family. "I did not believe," he writes, "that I
should have been able to send you the good news I now give--I was so
entirely prepared for the contrary. My _Demetrio_ was brought out last
Sunday, and with so great success, that the old people here assure me
they never witnessed such universal applause. The audience wept at the
Addio--my august master was not unmoved--and, notwithstanding the
respect paid to the imperial presence, the public could not restrain
themselves from giving marks of applause. My enemies have become my
applauders. I cannot express my surprise, for this opera is so
delicately touched, without any of that strong colouring that strikes at
once, that I feared that it was not adapted to the national taste. I was
mistaken--every one seems to understand it, and passages are recited in
conversation, as if it were written in German." While composing the
"Olimpiade," he thus addresses his friend:--"Here is a moral sonnet
which I wrote in the midst of a pathetic scene, that moved me as I wrote
it: so that, smiling at myself, when I found my eyes humid from pity at
a fictitious disaster, invented by myself, I expressed my feelings in
the sonnet I send. The idea does not displease me; and I did not choose
to lose it, as it will serve as an incitement for my piety." The thought
of the sonnet is, that, while he smiles at himself for weeping over
dreams and fables of his own invention, he may remember that every thing
that he fears and hopes is equally fictitious,--that all is false, his
existence a delirium, and his whole life a dream;--and it ends with a
prayer that he may awaken and find repose in the bosom of truth.
Public-domain text, read in full here on John Shaqi.
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