Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 2 (of 3)Shelley, Mary Wollstonecraft
History
Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 2 (of 3)
Shelley, Mary Wollstonecraft
Authors -- Biography; Scientists -- Biography
During the carnival of 1761, the last pieces he wrote for the Venetian
theatre were represented: one, the last acted, was a sort of allegorical
leave-taking, which was so understood by the audience; and the
acclamations and adieus of the public moved him to tears. He left Venice
in April 1761, accompanied by his wife. His mother was dead; his niece
he placed in a convent, under the superintendence of a respectable
family at Venice; his nephew was soon to follow him. As he passed
through Italy, on his way to France, he was received at the various
towns with distinction and kindness. He spent some little time at Genoa,
with his wife's relations, and then they proceeded by slow stages to
Paris.
Goldoni's _débût_ as an author in the French capital was not a happy
one. The Italian comedians there were not accustomed to regular
comedies, which they were to learn by heart, but to the old style of
their native farce, where the plot and arrangement of the scenes were
all that was written, and they filled up the dialogue themselves.
Goldoni wrote two or three pieces for them on this plan without success.
His stay in Paris was, however, decided by the post of Italian master to
the daughters of Louis XV. being bestowed on him. He knew so little of
French, that he gained as much knowledge from the princesses as he
imparted to them. His salary was very slender, but it was increased in
the sequel; and his nephew also was provided for by the post of Italian
teacher in the military school.
Goldoni was charmed by the French actors; and his ambition was excited
to write a comedy to be represented by the excellent comedians who then
flourished. His desire was fulfilled to the utmost. He brought out "Le
Bourru Bienfaisant," into which he endeavoured to instil the spirit of
French dialogue and plot with great success; so that Voltaire praises it
as the best French comedy written since Molière. He wrote another on
the same plan; but it fell to the ground, and he at last desisted from
adding to the immense number of pieces of which he is the author.
He lived tranquilly and content with his moderate means. His niece was
married at Venice; his nephew settled happily at Paris. The revolution
did not, fortunately, disturb the repose of his last years. The National
Convention confirmed his pension to him, and continued it to his widow
after his death. Goldoni died in the year 1792, at the age of
eighty-five. No man was ever more born for the career which he pursued.
His heart was excellent, and his disposition gay. He never allowed
himself to be cast down by adversity, and met the attacks of his enemies
with good humour, or such replies as caused the laugh to be on his side.
He is numbered by his countrymen as among the best of their authors,--an
opinion confirmed by all those sufficiently cognisant with the Italian
language and manners to enter into the spirit of his compositions.
ALFIERI
1749-1803.
Public-domain text, read in full here on John Shaqi.
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