Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 3 (of 3)Shelley, Mary Wollstonecraft
History
Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 3 (of 3)
Shelley, Mary Wollstonecraft
Authors -- Biography; Scientists -- Biography
In the comedy "Life in Algiers" there cannot be said to be any plot at
all. Cervantes brought back from his captivity an intense horror of
Christian suffering in Africa; and he had it much at heart to awaken in
the minds of his countrymen, not only sympathy, but a spirit of charity,
that would lead them to assist in the redemption of captives. He thus
brings forward various pictures of suffering, such as would best move
the hearts of the audience, and such as he himself had witnessed.
Aurelio and Silvia, affianced lovers, are captives, and are respectively
loved by Yusuf and Zara, the Moors who own them. In the old Spanish
style, feelings are personified and brought on the stage. Fatima, Zara's
confidant, seeks by incantations to bend Aurelio to her mistress's will.
She is told by a Fury, that such power cannot be exercised over a
Christian, but Necessity and Occasion are sent to move him by the
suggestions they instil by whispers, and which he echoes as his own
thoughts. He almost falls into the snare they present by filling his
mind with prospects of ease and pleasure, in exchange for the hardships
he undergoes; but he resists the temptation, and is finally set free
with Silvia. Besides, these, we have the picture of two captives, who
escape and cross the desert to Oran, as Cervantes had once schemed to do
himself. One of them appears worn and famished--willing to return to
captivity so to avoid death: he prays to the Virgin, and a lion is sent,
who guards and guides him on his darksome solitary way. To rouse still
more the compassion of the audience, there is one scene where the public
crier comes on to sell a mother and father, and two children: the elder
one has a sense of his situation and of the trials he is to expect with
firmness; the younger knows nothing beyond his fear at being tern from
his mother's side. A merchant buys the younger, and bids him come with
him.
"_Juan._ I cannot leave my mother, sir, to go
With others.
_Mother._ Go, my child--ah! mine no more,
But his who buys thee.
_Juan._ Mother dear, dost thou
Desert me?
_Mother._ Heaven! How pitiless thou art!
_Merchant._ Come, child, come!
_Juan._ Brother, let's go together.
_Francisco._ It is not in my choice--may heaven go with
thee!
_Mother._ Remember, oh, my treasure and my joy,
Thy God!
_Juan._ Where do they take me without you,
My father!--my dear mother!
_Mother._ Sir, permit
For one brief moment that I speak to my
Poor child--short will the satisfaction be,
Long, endless sorrow following close behind.
_Merchant._ Say what thou wilt; 'tis the last time thou canst.
_Mother._ Alas! it is the first that e'er I felt
Such woe.
_Juan._ Mother, keep me with thee;
Suffer me not to go, I know not where.
Public-domain text, read in full here on John Shaqi.
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