Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 3 (of 3)Shelley, Mary Wollstonecraft
History
Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 3 (of 3)
Shelley, Mary Wollstonecraft
Authors -- Biography; Scientists -- Biography
_Mother._ Fortune has, since I bore thee, my sweet child,
Hidden her face--the heavens are dark--the sea
And the wild winds combine for my dismay;
The very elements our enemies!
Thou knowest not thy misery, although
Thou art its victim--and such ignorance
Is happiness for thee! My only love,
Since to see thee no more I am allow'd,
I pray thee never to forget to seek
The favour of the Virgin in thy prayers--
The queen of goodness she--of grace and hope
She can unloose thy chain, and set thee free.
_Aydar._ Hark to the Christian what advice she gives!
Thoud'st have him lost as thee, false infidel!
_Juan._ My mother, let me stay--let not these Moors
Take me away.
_Mother._ My treasures go with thee.
_Juan._ In faith, I fear these men!
_Mother._ But I more fear
Thou wilt forget thy God, me and thyself,
When thou art gone: thy tender years are such,
That thou wilt lose thy faith amidst this race
Of infidels--teachers of lies.
_Crier._ Silence!
And fear, old wicked woman, that thy head
Pay for thy tongue!"
At the end of the play, Juan is seduced by fine clothes and sweetmeats
to become a Mahometan. When we think of the Spanish horror of renegades,
and its fierce punishment, we may imagine the effect that such scenes,
brought vividly before them, must have had. The play ends with the
arrival of a vessel, with a friar on board, charged with money to redeem
the captives, and the universal joy the Christians feel; Cervantes had
felt such himself, and well could paint it. The whole play, though
without plot, and rendered wild and strange by the introduction of
allegorical personages, yet is full of the interest of pathetic
situations and natural feelings, simply, but vividly represented; such
doubtless, roused every sentiment of horror and compassion, and even
vengeance in a Spanish audience. In some respects we feel otherwise; and
when one of the captives relates the cruel death of a priest burnt by
slow fire, by the Moors, in retaliation of a Moor burnt by the
inquisition, our indignation is rather levelled against that nefarious
institution, which, unprovoked, punished those who adhered to the faith
of their fathers, and filled the whole world with abhorrence for its
name. Such, Cervantes could not feel; and in reading his works, and
those of all his countrymen, nothing jars with our feelings so much as
the praise ever given to the most savage cruelties of the Dominicans,
and the merciless reprobation expressed towards those who dared revenge
their wrongs.
Public-domain text, read in full here on John Shaqi.
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