Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 3 (of 3)Shelley, Mary Wollstonecraft
History
Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 3 (of 3)
Shelley, Mary Wollstonecraft
Authors -- Biography; Scientists -- Biography
The "Voyage to Parnassus" has the inherent Spanish defect of length,
otherwise it has great merit: the ridicule is playful--the machinery
poetic--the story well adapted for burlesque. There had been a poem,
written on the subject of a voyage to Parnassus, by Cezare Caporali--an
Italian of Perugia. Cervantes begins his poem by mentioning the return
of the Italian, and how he, who ever desired to deserve the name of
poet, resolved to follow his example. In playful derision of his
poverty, he describes his departure: a piece of bread and a cheese in
his wallet, were all his provision--"light to carry, and useful for the
voyage and then he bids adieu to his lowly roof--"Adieu to Madrid--adieu
to its fountains, which distil ambrosia and nectar--to its prado--to its
society--to the abodes of pleasure and deceit." He arrives at
Carthagena, and sees Mercury, who invites him to embark on board a boat,
and to come to assist in the defence of Parnassus, which had been
attacked by a host of poetasters. The skiff is fancifully described:--
And lo! of verses framed, the bark,[73]
From the maintop to water mark,
Without a word of prose betwixt;
The upper decks were glosses mix'd--
A hodge-podge badly put together,
Ill-married all with one another:--
And of romances form'd, the crew,
A daring people glad to do
The wildest acts, however fierce.
The poop was made of other verse:
'Twas form'd of sonnets, each one rare,
Written all with the nicest care.
Two tercets, bold as muse could write,
The gunnels framed from left to right,
And gave free scope unto the oar.
The gangway's length was measured o'er
By elegies most sad and long,
More apt for tears than gladsome song.
The mast that rose unto the sky
An ode embodied, long and dry,
Tarr'd o'er with songs of dreary length,
So to ensure its weight and strength.
And all the yards that ran across
Were burthens harsh--you're at no loss
Their hard material to find:
The parrel creaking to the wind,
Of redondillas gay and free;
So that more easy it might be.
The ropes and tackle--rigging all--
Of seguidillas light and small,
Each twined with fancies gay and fickle,
The which the soul are apt to tickle;
The thwarts, of stanzas staunch and strong,
Planks to support a world of song;
While the pennants, flying lightly,
Love songs framed so gay and sprightly.
Sestinas grave, and blank verse ready,
Shaped the keel both sharp and steady;
That like a duck the bark might swim,
And o'er the waters lightly skim.
Public-domain text, read in full here on John Shaqi.
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