They all looked up. They had forgotten it was Valentine's Day, and it
came to them that if Emmy Lou's mother had not gone away, never to come
back, the year before, Valentine's Day would not have been forgotten.
Aunt Cordelia smoothed the black dress she was wearing because of the
mother who would never come back, and looked troubled.
But Emmy Lou laid the blue and gold valentine on Aunt Cordelia's knee.
In the valentine's centre were two hands clasping. Emmy Lou's
forefinger pointed to the words beneath the clasped hands.
"I can read it," said Emmy Lou.
They listened. Uncle Charlie put down his paper. Aunt Louise looked over
Aunt Cordelia's shoulder.
"B," said Emmy Lou, "e--Be."
The aunties nodded.
"M," said Emmy Lou, "y--my."
Emmy Lou did not hesitate. "V," said Emmy Lou, "a, l, e, n, t, i, n,
e--Valentine. Be my Valentine."
"There!" said Aunt Cordelia.
"Well!" said Aunt Katie.
"At last!" said Aunt Louise.
"H'm!" said Uncle Charlie.
A LITTLE FEMININE CASABIANCA
The close of the first week of Emmy Lou's second year at a certain large
public school found her round, chubby self, like a pink-cheeked period,
ending the long line of intermingled little boys and girls making what
was known, twenty-five years ago, as the First-Reader Class. Emmy Lou
had spent her first year in the Primer Class, where the teacher, Miss
Clara by name, had concealed the kindliest of hearts behind a brusque
and energetic manner, and had possessed, along with her red hair and a
temper tinged with that color also, a sharp voice that, by its
unexpected snap in attacking some small sinner, had caused Emmy Lou's
little heart to jump many times a day. Here Emmy Lou had spent the year
in strenuously guiding a squeaking pencil across a protesting slate, or
singing in chorus, as Miss Clara's long wooden pointer went up and down
the rows of words on the spelling-chart: "A-t, at; b-a-t, bat; c-a-t,
cat," or "a-n, an; b-a-n, ban; c-a-n, can." Emmy Lou herself had so
little idea of what it was all about, that she was dependent on her
neighbor to give her the key to the proper starting-point heading the
various columns--"a-t, at," or "a-n, an," or "e-t, et," or "o-n, on;"
after that it was easy sailing. But one awful day, while the class
stopped suddenly at Miss Clara's warning finger as visitors opened the
door, Emmy Lou, her eyes squeezed tight shut, her little body rocking to
and fro to the rhythm, went right on, "m-a-n, man," "p-a-n, pan"--until
at the sound of her own sing-song little voice rising with appalling
fervor upon the silence, she stopped to find that the page in the
meantime had been turned, and that the pointer was directed to a column
beginning "o-y, oy."
[Illustration: "Guiding a squeaking pencil across a protesting slate."]
Public-domain text, read in full here on John Shaqi.
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