Empires and Emperors of Russia, China, Korea, and Japan: Notes and Recollections by Monsignor Count Vay de Vaya and LuskodVay, Péter
History
Empires and Emperors of Russia, China, Korea, and Japan: Notes and Recollections by Monsignor Count Vay de Vaya and Luskod
Vay, Péter
Asia -- Description and travel; Eastern question (Far East)
It was growing dark as we neared the end of our journey. On the
platforms of the small stations we passed, I saw foreign soldiers
belonging to the Allied Forces; here fair Teuton giants, there short,
brown _bersaglieri_. And at each succeeding station there was more
movement, more confusion, till we reached the metropolis. The sun was
setting as we skirted the imperial deer park. Every moment the light
effects increased in beauty. The sombre masses of foliage, framed by the
blue lines of the eastern hills, formed an enchanting picture.
Outlines and colours were so unexpected, so strangely blended, that it
looked like a painting from the magic brush of some great Chinese
master. The forests stood out dark and menacing, as if still sheltering
the monsters and dragons of ancient folk-lore, and the hills were like
so many pointed sugar-loaves, heaped up by some awful giants.
It was as perfect a Chinese landscape as I could have wished to see, and
to crown all, the sun went down in a blaze of light; it was as if fiery
darts were being shot across the flaming sky. I have seen many sunsets
in the tropics, and in the East, but never anything to equal this. The
brightness of it flooded with saffron the clouds of dust always hanging
over the capital, and illumined all the million atoms which rise from
the Mongolian desert....
At an unexpected turn in the road it seemed as if the golden veil was
torn aside to give me a glimpse of the mysterious city. The stage effect
was perfect; the curtain might have been drawn by a clever manager's
hand to reveal the great Hatamen Gate in all its magnificence. The
famous crenellated walls; the lofty towers and proud pagodas, first
described by Marco Polo; the heavy bastions, and the marble bridges,
were but indistinctly visible, and therefore all the more suggestive and
beautiful. In fact, my first impression of Pekin was of a fancy or
dream. What the city really looked like was as yet mercifully hidden
from me; my imagination could have full play, untrammelled by the
disillusions of knowledge and experience. Afterwards I saw things
differently, but that first day the great city of the mighty Khan seemed
as a mirage to me.
The crumbling citadel of a great nation, nay, of the whole glory of a
mighty race, the monument of its art, the Walhalla of its history, shone
in the dazzling splendour of the afterglow, like a golden city floating
on golden clouds.
VI
PEKIN
I
THE ARRIVAL
Public-domain text, read in full here on John Shaqi.
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