Empires and Emperors of Russia, China, Korea, and Japan: Notes and Recollections by Monsignor Count Vay de Vaya and LuskodVay, Péter
History
Empires and Emperors of Russia, China, Korea, and Japan: Notes and Recollections by Monsignor Count Vay de Vaya and Luskod
Vay, Péter
Asia -- Description and travel; Eastern question (Far East)
It is evening when I arrive in Pekin. The train stops outside the Tartar
Wall. Darkness shrouds everything, and the place seems to be deserted.
Not even a guard or porter is to be seen. Alongside the embankment a few
coolies with gigantic lanterns are waiting for the passengers, and, in
quaint procession, with innumerable balloons hanging from long bamboo
sticks, are searching for their masters. They all shout, but no one
seems to understand them. There is no trace of any vehicles or
carriages, and I don't see even a platform. I am standing in the midst
of a desert; behind me, some sandhills and a pool are all I can
distinguish, and in front, among the crowd of coolies, a tall figure is
conspicuous, which approaches, and, by the yellow rays of a pumpkin-like
lantern, I recognize an old acquaintance. Here he occupies the position
of First Secretary of Legation, and brings me an invitation from his
chief. My trunks are taken in charge by an attendant, and we walk
towards my new abode, which my friend tells me is close by.
It is explained to me that the present railway station is only a
temporary one; only since the occupation by the Allied Forces have
trains been able to penetrate as far as the inner wall. They used to
have to stop miles away, as no engine was allowed to desecrate the holy
city of Pekin. At a short distance from the temporary station is a
tunnel-like opening in the wall, and I am informed that it was made for
the use of members of the legations and foreign settlement, and has
ex-territorial rights granted to it. I pass through the so-called Gate
of the Nations full of expectation, for I am most anxious for surprises,
which certainly are not wanting.
I hope to see before me a fairy city and scenes like those on the stage;
but instead of splendour and glitter I see mist. By the flickering light
of a few paraffin lamps I begin to distinguish the famous international
quarter, but I feel it would be better if they were not lit, for they
only disclose ruins and debris. Among heaps of bricks and mortar we
reach the edge of a ditch of stagnant water, which, as my companion
informs me, not without some pride, is the so-called Canal of Jade. It
is a magnificent name, which I have known for a long time. If I have
pictured it to myself as different from what it is in reality, it is not
the fault of an exaggerated fancy; and as we stumble along in the lane
skirting the ditch--I beg its pardon; on the banks of the waters of
Jasper--I still cannot perceive anything else but garden walls. I don't
even see the famous Jade Stream, for though long ago there may have been
water in the ditch, there are now only puddles here and there. But if I
can't see, I smell all the more; smell all kinds of unimaginable and
imaginable odours.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account