Enamels and Cameos and other PoemsGautier, Théophile
General
Enamels and Cameos and other Poems
Gautier, Théophile
French poetry -- Translations into English
Twas only at Trimalchio's board
A little skeleton made sign,
An ivory plaything unabhorred,
To bid the feasters to the wine.
Gods, whom Art ever must avow,
Ruled the marmoreal sky's demesne.
Olympus yields to Calvary, now;
Jupiter to the Nazarene!
Voices are calling, "Pan is dead!"
Dusk deepeneth within, without.
On the black sheet of sorrow spread,
The whitened skeleton gleams out.
It glideth to the headstone bare,
And signs it with a paraph wild,
And hangs a wreath of bones to glare
Upon the charnel death-defiled.
It lifts the coffin-lid and quaffs
The musty air, and peers within,
Displays a ring of ribs, and laughs
Forever with its awful grin.
It urges unto Death's fleet dance
The Emperor, the Pope, the King,
And makes the pallid steed to prance,
And low the doughty warrior fling;--
Behind the courtesan steals up,
And makes wry faces in her glass;
Drinks from the sick man's trembling cup;
Delves in the miser's golden mass.
Above the team it whirls the thong,
With bone for goad to hurry it,
Follows the plowman's way along,
And guides the furrows to a pit.
It comes, the uninvited guest,
And lurks beneath the banquet chair,
Unseen from the pale bride to wrest
Her little silken garter fair.
The number swells: the young give hand
Unto the old, and none may flee.
The irresistible saraband
Compelleth all humanity.
Forth speeds the tall, ungainly fright,
Playing the rebeck, dancing mad,
Against the dark a frame of white,
As Holbein drew it--horror-sad;--
Or if the times be frivolous,
Trusses the shroud about its hips:
Then like a Cupid mischievous,
Across the ballet-room it skips,
And unto carven tombs it flies,
Where marchionesses rest demure,
Weary of love, in exquisite guise,
In chapels dim and pompadour.
But hide thy hideous form at last,
Worm-eaten actor! Long enough
In death's wan melodrama cast,
Thou'st played thy part without rebuff.
Come back, come back, O ancient Art!
And cover with thy marble's gleam
This Gothic skeleton! Each part
Consume, ye flames of fire supreme!
If man be then a creature made
In God's own image, to aspire,
When shattered must the image fade,
Let the lone fragments feed the fire!
Immortal form! Rise thou in flame
Again to beauty's fount of bloom
Let not thy clay endure the shame,
The degradation of the tomb!
BJORN'S BANQUET
Bjorn, odd and lonely cenobite,
High on a barren rock's plateau,
Far out of time's and the world's sight,
Dwells in a castle none may know.
No modern thought may violate
His darkened and secluded hall.
Bjorn bolts with care his postern-gate,
And barricades his castle wall.
When others wait the rising sun,
He from his mouldering parapet
Still contemplates the valley dun,
Where he beheld the red sun set.
Securely doth the past enlock
His retrospective spirit lone.
The pendulum within his clock
Was broken centuries agone.
Waking the echoes wanders he
Beneath his feudal arches drear,
His ringing footsteps seemingly
Followed by other footsteps clear.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account