Enamels and Cameos and other PoemsGautier, Théophile
General
Enamels and Cameos and other Poems
Gautier, Théophile
French poetry -- Translations into English
A gauze reveals the orbed lamp,
Like a fair breast beneath a guimpe,
And drowsily
The shimmer of its light ascends,
Flushing with gold and crimson blends
The ceiling high.
The silence frames no sound of things,
Save for the pendulum that swings
Its golden disk,
And many winds that roam and weep,
Or stealthy to the hall-way sweep,
To dance and frisk.
It's ball-night at the Embassy.
My coat's limp sleeves are signalling me
To dress anon.
My waistcoat yawns. My shirt obtuse
Seems raising high its wristbands loose,
To be put on.
A narrow boot's abundant glaze
Reflects the ruddy firelight's blaze.
Have I forgot?
A glove's flat fingers span the shelf.
A thin cravat protrudes itself,
And begs a knot.
Then must I forth? But what a bore--
To seek the over-crowded door!
To fall in line
Of coaches bearing coats of arms
And haughty beauties with their charms,
Superb and fine!
To stand against a portal wide
And see the surging mass inside
Bear form on form:
Old faces, faces fresh and young,
Black coats low bodices among,--
A motley swarm!
And puffy backs that hide their red
With laces fine of costly thread
Aerial,
Dandies, diplomatists, that press,
With features dull, expressionless,
At fashion's call.
What! Brave, to win a glance of hers,
The rows of lynx-eyed dowagers!
Try undeterred
To speak the dear name of my dear,
And whisper softly in her ear
Love's little word!
Nay, but I'll not! Her eye shall heed
A letter in the flowers I'll speed.
No ball-room now!
Let Parma violets make good
Whatever be her passing mood.
They hold my vow.
Ensconced with Heine or with Taine,
Or, if I like, the Goncourts twain,
The time will go.
I'll dream, until the hour shall stir
Reality, and wait for her.
She'll come, I know.
ART
More fair the work, more strong,
Stamped in resistance long,--
Enamel, marble, song.
Poet, no shackles bear,
Yet bid thy Muse to wear
The buskin bound with care.
A fashion loose forsake,--
A shoe of sloven make,
That any foot may take.
Sculptor, the clay withstand,
That yieldeth to the hand,
Though listless heart command.
Contend till thou have wrought,
Till the hard stone have caught
The beauty of thy thought.
With Paros match thy might,
And with Carrara bright,
That guard the line of light.
Borrow from Syracuse
The bronze's stubborn use,
Wherein thy form to choose.
And with a delicate grace
In the veined onyx trace
Apollo's perfect face.
Painter, put thou aside
The transient. Be thy pride
The colour furnace-tried.
Limn thou, fantastic, free
Blue sirens of the sea,
And beasts of heraldry.
Before a nimbus gold
Transcendently uphold
The Child, the Cross foretold.
Things perish. Gods have passed.
But song sublimely cast
Shall citadels outlast.
And the forgotten seal
Turned by the plowman's steel
An emperor may reveal.
For Art alone is great:
The bust survives the state,
The crown the potentate.
Public-domain text, read in full here on John Shaqi.
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