American fiction -- 20th century; Short stories, American
"Why, it doesn't matter at all," I said negligently. "We both have been
invited to this house to dance; that is to say, our hostess would not
invite any objectionable persons. What you mean to say is,
unconventional. And I hate convention and formality."
"Are you a poet, then?"--with good-natured derision.
"Oh, no; I have an earning capacity and a pleasant income."
She really laughed this time; and I vaguely recalled pearls and coral
and murmuring brooks.
"Won't you please do that again?" I asked eagerly.
But there must have been something in my gaze that frightened Mirth
away, for she frowned.
Faintly came the music from the ball-room. They were playing the waltzes
from _The Queen's Lace Handkerchief_. The agony of an extemporization
seized me.
"Strauss!" I cried, flourishing the slipper. "The blue Danube, the
moonshine on the water, the tittle-tattle of the leaves, a man and woman
all, all alone! Romance, love, off to the wars!..."
"It is a far cry to Cinderella," she interrupted.
"Ah, yes. Music moves me so easily."
"Indeed! It is scarcely noticeable,"--slyly.
"Are you Cinderella, then?"
"I do not say so."
"Will you dance with me to prove it one way or the other?"
"Certainly not,"--rather indignantly.
"Why not?"
"There are any number of reasons," she replied.
"Name just one."
"I do not know you."
"You ought to,"--with a double meaning which went for nothing.
"My angle of vision obscures that idea."
"If you will stand up...." I hesitatingly suggested.
"I am perfectly comfortable where I am,"--with an oblique glance at the
doorway.
"I am convinced that you are the Cinderella; I can not figure it out
otherwise."
"Do not figure at all; simply leave the shoe."
"It is too near twelve o'clock for that. Besides, I wish to demolish the
pumpkin theory. It's all tommy-rot about changing pumpkins into
chariots, unless you happen to be a successful pie-merchant."
She bit her lips and tapped her cheek with the fan. (Did I mention the
bloomy cheeks?)
"Perhaps I am only one of Cinderella's elder sisters."
"That would be very unfortunate. You will recollect that the elder
sisters cut off their--"
"Good gracious!"
"Cut off their toes in the mad effort to capture the prince," I
continued.
"But I am not trying to capture any prince, not even a fairy prince;
and I wouldn't--"
"Cut off your toes?" I suggested.
"Prolong this questionable conversation, only--"
"You can not stop it till you have the shoe," I said.
"Only," she went on determinedly, "I am so comfortable here that I do
not care to return to the ball-room just at present."
"I never expected such a full compliment;" and I made her my most
engaging bow.
"I am afraid you will have to cut off _your_ toes to get into _that_
shoe,"--maliciously.
"I could expect no less than that from you. You keep coming closer to my
ideal every moment."
She shrugged disdainfully and assumed a bored expression that did not
deceive me in the least.
Public-domain text, read in full here on John Shaqi.
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