[204] Chapman, Marston (and Jonson), _Eastward Hoe_ (1605); Middleton, _A Game at Chess_ (1624); Shirley and Chapman, _The Ball_ (1632); Massinger(?), _The Spanish Viceroy_ (1634). [205] _Twelfth Night._ [206] _The Puritan, or the Widow of Watling Street_, by "W. S." (Wentworth Smith?). [207] _The Alchemist_; _Bartholomew Fair_. [208] Chapman, _An Humorous Day's Mirth_; Marston, _The Dutch Courtesan_; Middleton, _The Family of Love_. [209] Among these was Sir Richard Fanshawe's English version of the _Pastor fido_ (1646); after his death were published his translations of two plays by A. de Mendoza. [210] _A Short View of Tragedy_ (1693). [211] _The Black Prince_; _Tryphon_; _Herod the Great_; _Altemira._ [212] _The Indian Queen._ [213] _The Indian Emperor_; _Tyrannic Love_; _The Conquest of Granada._ [214] _Essay of Dramatic Poesy._ [215] _Essay of Heroic Plays._ [216] A direct satirical invective against rhymed tragedy of the "heroic" type is to be found in Arrowsmith's comedy _Reformation_ (1673). [217] _The Grounds of Criticism in Tragedy._ [218] _All for Love (Antony and Cleopatra)._ [219] _Don Sebastian._ [220] _The Rival Queens_; _Lucius Junius Brutus_; _The Massacre of Paris._ [221] _Don Carlos_; _The Orphan_; _Venice Preserved._ [222] _Oroonoko_; _The Fatal Marriage._ [223] _The Mourning Bride._ [224] _The Fair Penitent_; _Jane Shore._ [225] A notable influence was exercised upon English comedy as well as upon other branches of literature by C. de Saint-Evremond, a soldier and man of fashion who was possessed of great intellectual ability and of a charming style. Though during his long exile in England--from 1670 to his death--he never learned English, his critical works included _Remarks on English Comedy_ (1677), and one of his own comedies, the celebrated _Sir Politick Would-be_, professed to be composed "_à la manière angloise_." [226] _Epsom Wells_; _The Squire of Alsatia_; _The Volunteers._ [227] A dramatic curiosity of a rare kind would be _The Female Rebellion_ (1682), which has been, on evidence rather striking at first sight, attributed to Sir Thomas Browne. It is more likely to have been by his son. [228] _The Country Wife_; _The Plain-Dealer._ [229] _The Double Dealer._ [230] _The Recruiting Officer_; _The Beaux' Stratagem._ [231] _A Short View of the Immorality and Profaneness of the English Stage._ [232] Sir Novelty Fashion (Lord Foppington), &c. [233] _The Lying Lover_; _The Tender Husband._ [234] _The Conscious Lovers._ [235] _The Absolute Unlawfulness of Stage Entertainments fully Demonstrated_; _The Stage defended_, &c. (1726). [236] _The Siege of Damascus._ [237] _Mariamne._ [238] _The Double Falsehood._ [239] _The Revenge (Othello)._ [240] _Fatal Curiosity._