[241] _Irene_ (1749); _The Patriot_ attributed to Johnson, is by
Joseph Simpson.
[242] _Elfrida_; _Caractacus_.
[243] _Rosamunda._
[244] _Love in a Village_, &c.
[245] _The Waterman_, &c.
[246] _Pasquin_; _The Historical Register for 1736._
[247] _The Golden Rump._
[248] The first dramatic performance licensed by the lord chamberlain
after the passing of the act was appropriately entitled _The Nest of
Plays_, and consisted of three comedies named respectively _The
Prodigal Reformed_, _In Happy Constancy_ and _The Trial of Conjugal
Love_. It is a curious fact that in the first decade of the reign of
George III. a severe control of the theatre was very actively exerted
after a positive as well as a negative fashion--objectionable
passages being ruthlessly suppressed and plays actually written and
licensed for the purpose of upholding the existing régime.
[249] J. Townley, _High Life Below Stairs_ (1759).
[250] _The Minor_; _Taste_; _The Author_, &c.
[251] This celebrated play was at first persistently attributed to
Miss Elizabeth Carter.
[252] _The School for Lovers._
[253] _False Delicacy._
[254] _The Jealous Wife_; _The Clandestine Marriage._
[255] _The Heiress._
[256] _The West Indian_; _The Jew._
[257] _The Belle's Stratagem_; _A Bold Stroke for a Husband_, &c.
[258] _The Road to Ruin_, &c.
[259] _John Bull_; _The Heir at Law_, &c.
[260] _Midas_; _The Golden Pippin._
[261] _Bertram._
[262] _Ion._
[263] _Fazio._
[264] _Philip van Artevelde._
[265] _The Death of Marlowe._
[266] _Becket_; _The Cup._
[267] _Merope._
[268] _The Golden Legend._
[269] _Love is Enough._
[270] _Strafford_; _The Blot on the Scutcheon._
[271] _Atalanta in Calydon_; _Bothwell_; _Chastelard_; _Mary Stuart._
[272] _Virginius_; _The Hunchback._
[273] A drama entitled _Speculum vitae humanae_ is mentioned as
produced by Archduke Ferdinand of the Tirol in 1584.
[274] _Susanna_ (_Geistliches Spiel_) (1536), &c. Sixt Birk also
brought out a play on the story of _Susanna_, which he had previously
treated in a Latin form, in the vernacular (1552).
[275] _Siegfried_; _Eulenspiegel_, &c.
[276] _Susanna_; _Vincentius Ladislaus_, &c.
[277] _Mahomet_; _Edward III._; _Hamlet_; _Romeo and Juliet_, &c.
[278] _The Tempest_ (Ayrer, _Comedia v. d. schonen Sidea_).
[279] _Herr Peter Squenz_ (_Pyramus and Thisbe_);
_Horribilicribrifax_ (Pistol?).
[280] His son, Christian Gryphius, was author of a curious dramatic
summary (or _revue_) of German history, both literary and political;
but the title of this school-drama is far too long for quotation.
[281] One of his _aliases_ was _Pickelharnig_. In 1702 the electress
Sophia is found requesting Leibniz to see whether a more satisfactory
specimen of this class cannot be procured from Berlin than is at
present to be found at Hanover.
Public-domain text, read in full here on John Shaqi.
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