study of old examples, need not fear comparison with any modern work. During these three centuries bold floral patterns for hangings, curtains and coverlets have been usual (Plate III. fig. 13), but smaller works, such as samplers, covers of work-boxes, and pictorial and landscape subjects (fig. 5), have been produced in large numbers. In the 18th century gentlemen's coats and waistcoats and ladies' dresses were extensively embroidered. In France, embroidery, like all the arts practised by that nation, has been characterized by much grace and beauty, and many good specimens belonging to different periods are known. The vestments associated with the name of St Thomas of Canterbury at Sens may be either of French or English work (12th century). To the later part of the following century belongs a band of embroidery, representing the coronation of the Virgin, the Adoration of the Magi, the presentation in the Temple, and other subjects beneath Gothic arches, preserved in the Hôtel-Dieu at Château Thierry. The mitre of Jean de Marigny, archbishop of Rouen (1347-1351), in the museum at Évreux, embroidered with figures of St Peter and St Eloy, may be regarded as representative of 14th-century work. An altar-frontal with the Annunciation embroidered in silks and gold and silver upon a blue silk damask ground, now in the museum at Lille, is a very beautiful example of Franco-Flemish art in the second half of the 15th century. It was originally in the church at Noyelles-lez-Seclin. An embroidery more characteristically French, and belonging to the same century, is in the museum at Chartres. It is a triptych, having in the middle a _pietà_, on the left wing St John the Evangelist, and on the right St Catherine of Alexandria. Each leaf has a canopy of architecture represented in perspective. In the 16th century an effective style of embroidery was practised in France; the pattern is generally a graceful combination of floral and scroll forms, cut out of velvet, satin or silk, and applied to a thick woollen cloth. Later work, chiefly of a floral character, has served for the decoration of costumes, ecclesiastical vestments, curtains and hangings, and the seats and backs of chairs. [Illustration: FIG. 5.--Oval picture in silk embroidery: Fame scattering Flowers over Shakespeare's Tomb. English work of the 18th century.]