Embroidery in Persia has been used to a great extent for the decoration of carpets, for prayer or for use at the bath (Plate V. fig. 17). Robes, hangings, curtains, tablecovers and portières are also embroidered. A preference is shown for floral patterns, but the Mahommedans of Persia had no scruples about introducing the forms of men and animals--the former engaged in hawking or hunting, or feasting in gardens. Panels embroidered with close diagonal bands of flowers were made into loose trousers for women, now obsolete. The embroidered shawls of Kerman are widely celebrated. Hangings and covers of cloth patchwork have been embroidered in many parts of Persia, more particularly at Resht and Ispahan. In Turkestan, and especially at Bokhara, excellent embroideries have been, and are, produced, some patterns being of a bold floral type, and others conventionalized into hooked and serrated outlines. The work is most usually in bright-coloured silks, red predominating, on a linen material. In North Africa the embroidery of Morocco and Algeria deserves notice; the former inclines more to geometrical forms and the latter to patterns of a floral character. [Illustration: PLATE V. FIG. 17.--LINEN PRAYER CARPET, QUILTED AND EMBROIDERED IN CHAIN STITCH WITH COLOURED SILKS, CHIEFLY WHITE, YELLOW, GREEN AND RED. The border consists of a wide band set between two narrow ones, each with a waved continuous stem with blossoms in the wavings. Similar floral scrolling and leafy stem ornament fills the space beyond the pointed shape at the upper end, which is edged with acanthus leaf devices. The main ground below the niche or pointed shape is a blossoming plant, with balanced bunches of flowers between which are leaves, formally arranged in a pointed oval shape. Persian work, 18th century, 4 ft. 6 in. × 2 ft. 11 in. (Victoria and Albert Museum.)] [Illustration: PLATE VI. FIG. 18.--PART OF A SICILIAN COVERLET, OF THE END OF THE 14TH CENTURY.