"The redoubts were made of every capacity, from that of fig. 74 a,
limited by want of space on the ground it occupied to 50 men and two
pieces of artillery, to that of fig. 74 b, for 500 men and six pieces
of artillery, the importance of the object to be attained being the
only guide in forming the dimensions. Many of the redoubts first
thrown up, even some of the smallest, were shaped like stars, under
the idea of procuring a flank defence for the ditches; but this
construction was latterly rejected, it being found to cut up the
interior space, and to be almost fallacious with respect to flank
defence, the breadth of the exterior slopes being in some cases equal
to the whole length of the flanks so obtained. Even when, from the
greater size of the work, some flanking fire was thus gained, the
angle formed by the faces was generally so obtuse that it demanded
more coolness in the defenders than ought reasonably to be expected to
aim along the ditch of the opposite face: and further, this
construction prevented the fire of the work being more powerful in
front than in rear.
[Illustration: FIG. 74.--Torres Vedras Works.]
In order to decide on the proper trace of a work, it is necessary to
consider whether its object be to prevent an enemy establishing
himself on the ground on which it is to be placed, or whether it be to
insure a heavy fire of artillery on some other point in its vicinity.
In the first case every consideration should be sacrificed to that of
adding to its powers of self-defence by flanks or other expedients. In
the second, its powers of resistance are secondary to the
establishment of a powerful offensive fire and its trace cannot be too
simple. Latterly, the shape of the redoubts was invariably that most
fitted to the ground, or such as best parried the enfilade fire or
musketry plunge of neighbouring heights, care being taken to present
the front of fire deemed necessary towards the pass, or other object
to be guarded; and such will generally be found the best rule of
proceeding.
Public-domain text, read in full here on John Shaqi.
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