The age of the Hohenstaufen emperors is, in many respects, the most interesting in the medieval history of Germany. It was a period of great men and great ideas, of dramatic contrasts of character and opinion--on the one side a broad humanitarianism combined with a gay enjoyment of the world, on the other side an almost superhuman spirituality which sought its ideal in the rejection of all that the world could give. It saw the new-birth of poetry and of art; it witnessed the rise of the friars. The contest between Empire and Papacy was more than a mere struggle for supremacy between two world-powers; it was a war to the death between two fundamentally opposite conceptions of life, which in many respects anticipated and prepared the way for the Renaissance and the Reformation. The emperor Frederick II. himself stands out as the type of the one tendency; Innocent III., Francis of Assisi and Dominic, in their various degrees, are types of the other. Frederick himself, of course, was Italian rather than German, akin to the despots of the Renaissance in his many-sided culture, his tolerant scepticism and his policy of "cruelty well applied." The culture of which he was the supreme representative, that of Italy and of Provence, took a more serious shade when it penetrated into Germany. The German _Minnesinger_ and romance-writers, whose golden age corresponded with that of the Hohenstaufen, were not content only to sing the joy of life or the chivalrous virtues of courage, courtesy and reverence for women; they in some sort anticipated the underlying ideas of the Reformation by championing the claims of the German nation against the papal monarchy and pure religion, as they conceived it, against the arrogance and corruption of the clergy. In them the medieval lay point of view became articulate, finding perhaps its most remarkable expression in the ideas of religious toleration proclaimed by Walther von der Vogelweide and Wolfram von Eschenbach. In Germany, as elsewhere, the victory of the Papacy was the victory of obscurantism. German culture, after a short revival, perished once more amid the smoke of the fires kindled by Conrad of Marburg and his fellow inquisitors. In architecture, as in literature, this period was also one of great achievement in Germany. Of the noble palaces which it produced the castle of the Wartburg (q.v.) remains a perfect specimen, while the many magnificent churches dating from this time that still survive, prove the taste, wealth and piety of the burghers. For the science of government, too, much was done, partly by the introduction from Italy of the study of Roman law, partly by the collection of native customs in the _Sachsenspiegel_ compiled by Eike von Repgow early in the 13th century, and the less valuable _Deutschenspiegel_ and _Schwabenspiegel_. Altogether, Germany has seen no more fascinating epoch, none more full of life, movement and colour. Political character of Germany settled.