is, however, closely associated with historical characters and events,
e.g. with the Burgundian king Gundahari (Gunther, Gunnar) and the
overthrow of his house and nation by the Huns; the scholars have
exercised considerable ingenuity in attempting to identify him with
various historical figures. Theodor Abeling (_Das Nibelungenlied_,
Leipzig, 1907) traces the Nibelung sagas to three groups of Burgundian
legends, each based on fact: the Frankish-Burgundian tradition of the
murder of Segeric, son of the Burgundian king Sigimund, who was slain by
his father at the instigation of his stepmother; the Frankish-Burgundian
story, as told by Gregory of Tours (iii. 11), of the defeat of the
Burgundian kings Sigimund and Godomar, and the captivity and murder of
Sigimund, by the sons of Clovis, at the instigation of their mother
Chrothildis, in revenge for the murder of her father Chilperich and of
her mother, by Godomar; the Rhenish-Burgundian story of the ruin of
Gundahari's kingdom by Attila's Huns. Herr Abeling identifies Siegfried
(Sigurd) with Segeric, while--according to him--the heroine of the
Nibelung sagas, Kriemhild (Gudrun), represents a confusion of two
historical persons: Chrothildis, the wife of Clovis, and Ildico (Hilde),
the wife of Attila. (See also the articles KRIEMHILD, NIBELUNGENLIED).
(6) Hugdietrich, Wolfdietrich and Ortnit, whose legend, like that of
Siegfried, is of Frankish origin. It is preserved in four versions, the
best of which is the oldest, and has an historical foundation.
Hugdietrich is the "Frankish Dietrich" (= Hugo Theodoric), king of
Austrasia (d. 534), who like his son and successor Theodebert, was
illegitimate; both had to fight for their inheritance with relatives.
The transference of the scene to Constantinople is a reminiscence of the
events of the Crusades and Theodebert's projected campaign against that
city. The version in which Hugdietrich gains access to his future wife
by disguising himself as a woman has also a foundation in fact. As the
myth of the Harlungen is connected with Ermanaric, so another Dioscuri
myth (of the Hartungen) is combined with the Ortnit-Wolfdietrich legend.
The Hartungen are probably identical with the divine youths (mentioned
in Tacitus as worshipped by the Vandal Naharvali or Nahanarvali), from
whom the Vandal royal family, the Asdingi, claimed descent. Asdingi
([Greek: Astiggoi]) would be represented in Gothic by Hazdiggos, "men
with women's hair" (cf. _muliebri ornatu_ in Tacitus), and in middle
high German by Hartungen. (7) Rother, king of Lombardy. Desiring to wed
the daughter of Constantine, king of Constantinople, he sends twelve
envoys to ask her in marriage. They are arrested and thrown into prison
by the king. Rother, who appears under the name of Dietrich, sets out
with an army, liberates the envoys and carries off the princess. One
version places the scene in the land of the Huns. The character of
Constantine in many respects resembles that of Alexius Comnenus; the
Public-domain text, read in full here on John Shaqi.
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