In England, two changes bearing on church hymnody were made upon the revision of the prayer-book after the Restoration, in 1661-1662. One was the addition, in the offices for consecrating bishops and ordaining priests, of the shorter version of "Veni Creator" ("Come, Holy Ghost, our souls inspire"), as an alternative form. The other, and more important, was the insertion of the rubric after the third collect, at morning and evening prayer: "In quires and places where they sing, here followeth the anthem." By this rubric synodical and parliamentary authority was given for the interruption, at that point, of the prescribed order of the service by singing an anthem, the choice of which was left to the discretion of the minister. Those actually used, under this authority, were for some time only unmetrical passages of scripture, set to music by Blow, Purcell and other composers, of the same kind with the anthems still generally sung in cathedral and collegiate churches. But the word "anthem" had no technical signification which could be an obstacle to the use under this rubric of metrical hymns. Tate and Brady. The "New Version" of the Psalms, by Dr Nicholas Brady and the poet-laureate Nahum Tate (both Irishmen), appeared in 1696, under the sanction of an order in council of William III., "allowing and permitting" its use "in all such churches, chapels and congregations as should think fit to receive it." Dr Compton, bishop of London, recommended it to his diocese. No hymns were then appended to it; but the authors added a "supplement" in 1703, which received an exactly similar sanction from an order in council of Queen Anne. In that supplement there were several new versions of the canticles, and of the "Veni Creator"; a variation of the old "humble lamentation of a sinner"; six hymns for Christmas, Easter and Holy Communion (all versions or paraphrases of scripture), which are still usually printed at the end of the prayer-books containing the new version; and a hymn "on the divine use of music"--all accompanied by tunes. The authors also reprinted, with very good taste, the excellent version of the "Benedicite" which appeared in the book of 1562. Of the hymns in this "supplement," one ("While shepherds watched their flocks by night") greatly exceeded the rest in merit. It has been ascribed to Tate, but it has a character of simplicity unlike the rest of his works. Old and new versions compared.