The sequence of events appears to have been this:--Japan's earliest
contact with an over-sea people was with the Koreans, and she made
some tentative efforts to adapt their alphabet to the expression of
her own language. Traces of these efforts survived, and inspired the
idea that the art of writing was practised by the Japanese before the
opening of intercourse with their continental neighbours. Korea,
however, had neither a literary nor an ethical message to deliver, and
thus her script failed to attract much attention. Very different was
the case when China presented her noble code of Confucian philosophy
and the literature embodying it. The Japanese then recognized a lofty
civilization and placed themselves as pupils at its feet, learning its
script and deciphering its books. Their veneration extended to
ideographs. At first they adapted them frankly to their own tongue.
For example, the ideographs signifying _rice_ or _metal_ or _water_ in
Chinese were used to convey the same ideas in Japanese. Each ideograph
thus came to have two sounds, one Japanese, the other Chinese--e.g.
the ideograph for _rice_ had for Japanese sound _kome_ and for Chinese
sound _bei_. Nor was this the whole story. There were two epochs in
Japan's study of the Chinese language: first, the epoch when she
received Confucianism through Korea; and, secondly, the epoch when she
began to study Buddhism direct from China. Whether the sounds that
came by Korea were corrupt, or whether the interval separating these
epochs had sufficed to produce a sensible difference of pronunciation
in China itself, it would seem that the students of Buddhism who
flocked from Japan to the Middle Kingdom during the Sui era (A.D.
589-619) insisted on the accuracy of the pronunciation acquired there,
although it diverged perceptibly from the pronunciation already
recognized in Japan. Thus, in fine, each word came to have three
sounds--two Chinese, known as the _kan_ and the _go_, and one
Japanese, known as the _kun_. For example:--
"KAN" "GO" JAPANESE
SOUND. SOUND. SOUND. MEANING.
_Sei_ _Jo_ _Koe_ Voice
_Nen_ _Zen_ _Toshi_ Year
_Jinkan_ _Ningen_ _Hito no aida_ Human being.
Public-domain text, read in full here on John Shaqi.
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