Amongst modern Oriental nations we find almost every kind of personal decoration, from the simple caste mark on the forehead of the Hindu to the gorgeous examples of beaten gold and silver work of the various cities and provinces of India. Nor are such decorations mere ornaments without use or meaning. The hook with its corresponding perforation or eye, the clasp, the buckle, the button, grew step by step into a special ornament, according to the rank, means, taste and wants of the wearer, or became an evidence of the dignity of office. Nor was the jewel deemed to have served its purpose with the death of its owner, for it is to the tombs of ancient peoples that we must look for evidence of the early existence of the jeweller's art. The jewelry of the ancient Egyptians has been preserved for us in their tombs, sometimes in, and sometimes near the sarcophagi which contained the embalmed bodies of the wearers. An amazing series of finds of the intact jewels of five princesses of the XIIth Dynasty (c. 2400 B.C.) was the result of the excavations of J. de Morgan at Dahshur in 1894-1895. The treasure of Princess Hathor-Set contained jewels with the names of Senwosri (Usertesen) II. and III., one of whom was probably her father. The treasure of Princess Merit contained the names of the same two monarchs, and also that of Amenemhe III., to whose family Princess Nebhotp may have belonged. The two remaining princesses were Ita and Khnumit. [Illustration: FIG. 1.] The art of the nameless Memphite jewellers of the XIIth Dynasty is marked by perfect accuracy of execution, by sureness of intention, by decorative instinct and sobriety in design, and by the serviceable nature of the jewels for actual wear. All forms of work are represented--including chiselling, soldering, inlaying with coloured stones, moulding and working with twisted wires and filigree. Here also occurs the earliest instance of granulated work, with small grains of gold, soldered on a flat surface (fig. 1). The principal items in this dazzling group are the following: Three gold pectorals (fig. 2 and Plate I. figs. 35, 36) worked _à jour_ (with the interstices left open); on the front side they are inlaid with coloured stones, the fine _cloisons_ being the only portion of the gold that is visible; on the back, the gold surfaces are most delicately carved, in low relief. Two gold crowns (Plate I. figs. 32, 34), found together, are curiously contrasted in character. The one (fig. 32) is of a formal design, of gold, inlaid (the plume, Plate I. fig 33, was attached to it); the other (fig. 34) has a multitude of star-like flowers, embodied in a filigree of daintily twisted wires. A dagger with inlaid patterns on the handle shows extraordinary perfection of finish. [Illustration: FIG. 2.]