To a modern reader it appears strange that both parties were so entangled in the meshes of their preconceptions regarding God as to be unable to break through the broader views. The friends, while maintaining that injustice on the part of God is inconceivable, might have given due weight to the persistent testimony of Job's conscience as that behind which it is impossible to go, and found refuge in the reflection that there might be something inexplicable in the ways of God, and that affliction might have some other meaning than to punish the sinner or even to wean him from his sin. And Job, while maintaining his innocence from overt sins, might have confessed that there was such sinfulness in every human life as was sufficient to account for the severest chastisement from heaven, or at least he might have stopped short of charging God foolishly. Such a position would certainly be taken up by an afflicted saint now, and such an explanation of his sufferings would suggest itself to the sufferer, even though it might be in truth a false explanation. Perhaps here, where an artistic fault might seem to be committed, the art of the writer, or his truth to nature, and the extraordinary freedom with which he moves among his materials, as well as the power and individuality of his dramatic creations, are most remarkable. The rôle which the author reserved for himself was to teach the truth on the question in dispute, and he accomplishes this by allowing his performers to push their false principles to their proper extreme. There is nothing about which men are usually so sure as the character of God. They are ever ready to take Him in their own hand, to interpret His providence in their own sense, to say what things are consistent or not with His character and word, and beat down the opposing consciences of other men by His so-called authority, which is nothing but their own. The friends of Job were religious Orientals, men to whom God was a being in immediate contact with the world and life, to whom the idea of second causes was unknown, on whom science had not yet begun to dawn, nor the conception of a divine scheme pursuing a distant end by complicated means, in which the individual's interest may suffer for the larger good. The broad sympathies of the author and his sense of the truth lying in the theory of the friends are seen in the scope which he allows them, in the richness of the thought and the splendid luxuriance of the imagery--drawn from the immemorial moral consent of mankind, the testimony of the living conscience, and the observation of life--with which he makes them clothe their views. He remembered the elements of truth in the theory from which he was departing, that it was a national heritage, which he himself perhaps had been constrained not without a struggle to abandon; and, while showing its insufficiency, he sets it forth in its