most brilliant form.
The extravagance of Job's assertions was occasioned greatly by the
extreme position of his friends, which left no room for his conscious
innocence along with the rectitude of God. Again, the poet's purpose,
as the prologue shows, was to teach that afflictions may fall on a man
out of all connexion with any offence of his own, and merely as the
trial of his righteousness; and hence he allows Job, as by a true
instinct of the nature of his sufferings, to repudiate all connexion
between them and sin in himself. And further, the terrible conflict
into which the suspicions of the Satan brought Job could not be
exhibited without pushing him to the verge of ungodliness. These are
all elements of the poet's art; but art and nature are one. In ancient
Hebrew life the sense of sin was less deep than it is now. In the
desert, too, men speak boldly of God. Nothing is more false than to
judge the poet's creation from our later point of view, and construct
a theory of the book according to a more developed sense of sin and a
deeper reverence for God than belonged to antiquity. In complete
contradiction to the testimony of the book itself, some critics, as
Hengstenberg and Budde, have assumed that Job's spiritual pride was
the cause of his afflictions, that this was the root of bitterness in
him which must be killed down ere he could become a true saint. The
fundamental position of the book is that Job was already a true saint;
this is testified by God Himself, is the radical idea of the author in
the prologue, and the very hypothesis of the drama. We might be ready
to think that Job's afflictions did not befall him out of all
connexion with his own condition of mind, and we might be disposed to
find a vindication of God's ways in this. There is no evidence that
such an idea was shared by the author of the book. It is remarkable
that the attitude which we imagine it would have been so easy for Job
to assume, namely, while holding fast his integrity, to fall back upon
the inexplicableness of providence, of which there are such imposing
descriptions in his speeches, is just the attitude which is taken up
in ch. xxviii. It is far from certain, however, that this chapter is
an integral part of the original book.
Public-domain text, read in full here on John Shaqi.
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