The revenue buildings, begun in 1828 on the site of the original
Liverpool dock, formerly combined the customs, inland revenue,
post-office and dock board departments but are now only used by the two
first named. It is a heavy structure, with three advanced porticoes in
the Ilyssus Ionic style. Near by stands the sailors' home, a large
building in the Elizabethan style. The Philharmonic Hall in Hope Street,
with not much pretension externally, is one of the finest music rooms in
the kingdom; it accommodates an audience of about 2500.
The group of buildings forming the county sessions house, the free
public library, museum, central technical school and gallery of art are
finely situated on the slope to the north of St George's Hall. The
library and gallery of art are separate buildings, connected by the
circular reading-room in the middle. The latter possesses some features
in construction worthy of note, having a circular floor 100 ft. in
diameter without columns or any intermediate support, and a lecture-room
underneath, amphitheatrical in form, with grades or benches hewn out of
the solid rock. In 1884 the county sessions house just mentioned,
adjoining the art gallery was opened for public business. In 1899 new
post-office buildings in Victoria Street were completed. In 1907 two
important additions were made to the buildings of Liverpool, the new
offices of the dock board, built on the site of a portion of the Old
George's dock, and the new cotton exchange in Oldhall street. The fine
mass of buildings which constitute the university and the Royal
Infirmary, lying between Brownlow Hill and Pembroke Place, both groups
designed by Alfred Waterhouse, was begun in 1885.
Liverpool cathedral, intended when completed to be the largest in the
country, from designs by G. F. Bodley and G. Gilbert Scott, was begun in
1904, when the foundation stone was laid by King Edward VII. The
foundations were completed in 1906 and the superstructure begun. The
foundation of the chapter-house was laid in that year by the duke of
Connaught, and work was then begun on the Lady chapel, the vestries and
the choir.
Public-domain text, read in full here on John Shaqi.
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