Instead of supposing the light to fall vertically upon the surface it is often supposed to fall obliquely, generally at an angle of 45° from the upper left-hand corner. It is claimed for this method that it affords a means of giving a graphic representation of Alpine districts where other methods of shading fail. The Dufour map of Switzerland (1:100,000) is one of the finest examples of this style of hill-shading. For use in the field, however, and for scientific work, a contoured map like Siegfried's atlas of Switzerland, or, in the case of hilly country, a map shaded on the assumption of a vertical light, will prove more useful than one of these, notwithstanding that truth to nature and artistic beauty are claimed on their behalf. Instead of shading by lines, a like effect may be produced by mezzotint shading (cf. the map of ITALY, or other maps, in this work, on a similar method), and if this be combined with contour lines very satisfactory results can be achieved. If this tint be printed in grey or brown, isohypses, in black or red, show distinctly above it. The same combination is possible if hills engraved in the ordinary manner are printed in colours, as is done in an edition of the 1-inch ordnance map, with contours in red and hills hachured in brown. Efforts have been made of late years to improve the available methods of representing ground, especially in Switzerland, but the so-called stereoscopic or relief maps produced by F. Becker, X. Imfeld, Kümmerly, F. Leuzinger and other able cartographers, however admirable as works of art, do not, from the point of utility, supersede the combination of horizontal contours with shaded slopes, such as have been long in use. There seems to be even less chance for the combination of coloured strata and hachures proposed by K. Peucker, whose theoretical disquisitions on aerial perspective are of interest, but have not hitherto led to satisfactory practical results.[3] The above remarks apply more particularly to topographic maps. In the case of general maps on a smaller scale, the orographic features must be generalized by a skilful draughtsman and artist. One of the best modern examples of this kind is Vogel's map of Germany, on a scale of 1:500,000.