_Literature._--As elsewhere in India, the modern vernacular literature
of the Maratha country arose under the influence of the religious
reformation inaugurated by Ramanuja early in the 12th century. He and
his followers taught devotion to a personal deity instead of the
pantheism hitherto prevalent. The earliest writer of whom we have any
record is Namdev (13th century), whose hymns in honour of Vithoba, a
personal form of Vishnu, have travelled far beyond the home of their
writer, and are even found in the Sikh _Àdi Granth_. Dnyanoba, a
younger contemporary, wrote a paraphrase of the Sanskrit _Bhagavad
Gita_, which is still much admired. Passing over several intermediate
writers we come to the period of the warrior Sivaji, the opponent of
Aurangzeb. He was a disciple of Ramdas (1608-1681), who exercised
great influence over him, and whose _Dasbodh_, a work on religious
duty, is a classic. Contemporary with Ramdas and Sivaji was Tukaram
(1608-1649), a Sudra by caste, and yet the greatest writer in the
language. He began life as a petty shopkeeper, and being unsuccessful
both in his business and in his family relations, he abandoned the
world and became a wandering ascetic. His _Abhangs_ or "unbroken"
hymns, probably so called from their indefinite length and loose,
flowing metre, are famous in the country of his birth. They are
fervent, but though abounding in excellent morality, do not rise to
any great height as poetry. Other Marathi poets who may be mentioned
are Sridhar (1678-1728), the most copious of all, who translated the
_Bhagavata Purana_, and the learned Mayura or Moropant (1729-1794),
whose works smell too much of the lamp to satisfy European standards
of criticism. Mahipati (1715-1790) was an imitator of Tukaram, but his
chief importance rests on the fact that he collected the popular
traditions about national saints, and was thus the author of the _Acta
sanctorum_ of the Marathas. Lavanis, or erotic lyrics, by various
writers, are popular, but are often more passionate than decent.
Another branch of Marathi literature is composed of _Pawadas_ or
war-ballads, mostly by nameless poets, which are sung everywhere
throughout the country. There is a small prose literature, consisting
of narratives of historical events (the so-called _Bakhars_), moral
maxims and popular tales.
In the 19th century the facilities of the printing press are
responsible for a great mass of published matter. Most of the best
works have been written in English by learned natives, upon whom the
methods of European scholarship have exercised more influence than
elsewhere in India, and have given rise to a happy combination of
western science with Oriental lore. No vernacular authors of
outstanding merit have appeared during the last century.
Public-domain text, read in full here on John Shaqi.
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