Matthew Paris was unfortunate in living at a time when English politics were peculiarly involved and tedious. His talent is for narrative and description. Though he took a keen interest in the personal side of politics he has no claim to be considered a judge of character. His appreciations of his contemporaries throw more light on his own prejudices than on their aims and ideas. His work is always vigorous, but he imputes motives in the spirit of a partisan who never pauses to weigh the evidence or to take a comprehensive view of the situation. His redeeming feature is his generous admiration for strength of character, even when it goes along with a policy of which he disapproves. Thus he praises Grosseteste, while he denounces Grosseteste's scheme of monastic reform. Matthew is a vehement supporter of the monastic orders against their rivals, the secular clergy and the mendicant friars. He is violently opposed to the court and the foreign favourites. He despises the king as a statesman, though for the man he has some kindly feeling. The frankness with which he attacks the court of Rome for its exactions is remarkable; so, too, is the intense nationalism which he displays in dealing with this topic. His faults of presentment are more often due to carelessness and narrow views than to deliberate purpose. But he is sometimes guilty of inserting rhetorical speeches which are not only fictitious, but also misleading as an account of the speaker's sentiments. In other cases he tampers with the documents which he inserts (as, for instance, with the text of Magna Carta). His chronology is, for a contemporary, inexact; and he occasionally inserts duplicate versions of the same incident in different places. Hence he must always be rigorously checked where other authorities exist and used with caution where he is our sole informant. None the less, he gives a more vivid impression of his age than any other English chronicler; and it is a matter for regret that his great history breaks off in 1259, on the eve of the crowning struggle between Henry III and the baronage.