England, My EnglandLawrence, D. H. (David Herbert)
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England, My England
Lawrence, D. H. (David Herbert)
England -- Social life and customs -- 20th century -- Fiction; Short stories, English
At last she got out of the room. When she was back in her own room, in
the light, and her door was closed, she stood holding up her hand that
had touched him, as if it were hurt. She was almost too shocked, she
could not endure.
“Well,” said her calm and weary mind, “it was only a mistake, why take
any notice of it.”
But she could not reason her feelings so easily. She suffered, feeling
herself in a false position. Her right hand, which she had laid so
gently on his face, on his fresh skin, ached now, as if it were really
injured. She could not forgive Hadrian for the mistake: it made her
dislike him deeply.
Hadrian too slept badly. He had been awakened by the opening of the
door, and had not realised what the question meant. But the soft,
straying tenderness of her hand on his face startled something out of
his soul. He was a charity boy, aloof and more or less at bay. The
fragile exquisiteness of her caress startled him most, revealed unknown
things to him.
In the morning she could feel the consciousness in his eyes, when she
came downstairs. She tried to bear herself as if nothing at all had
happened, and she succeeded. She had the calm self-control,
self-indifference, of one who has suffered and borne her suffering. She
looked at him from her darkish, almost drugged blue eyes, she met the
spark of consciousness in his eyes, and quenched it. And with her long,
fine hand she put the sugar in his coffee.
But she could not control him as she thought she could. He had a keen
memory stinging his mind, a new set of sensations working in his
consciousness. Something new was alert in him. At the back of his
reticent, guarded mind he kept his secret alive and vivid. She was at
his mercy, for he was unscrupulous, his standard was not her standard.
He looked at her curiously. She was not beautiful, her nose was too
large, her chin was too small, her neck was too thin. But her skin was
clear and fine, she had a high-bred sensitiveness. This queer, brave,
high-bred quality she shared with her father. The charity boy could see
it in her tapering fingers, which were white and ringed. The same
glamour that he knew in the elderly man he now saw in the woman. And he
wanted to possess himself of it, he wanted to make himself master of
it. As he went about through the old pottery-yard, his secretive mind
schemed and worked. To be master of that strange soft delicacy such as
he had felt in her hand upon his face,—this was what he set himself
towards. He was secretly plotting.
Public-domain text, read in full here on John Shaqi.
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