England, My EnglandLawrence, D. H. (David Herbert)
General
England, My England
Lawrence, D. H. (David Herbert)
England -- Social life and customs -- 20th century -- Fiction; Short stories, English
The publican nodded in acknowledgement. Sutton and his nephew drank.
“Why the hell don’t you get that road mended in Cinder Hill—,” said
Sutton fiercely, pushing back his driver’s cap and showing his
short-cut, bristling hair.
“They can’t find it in their hearts to pull it up,” replied the
publican, laconically.
“Find in their hearts! They want settin’ in barrows an’ runnin’ up an’
down it till they cried for mercy.”
Sutton put down his glass. The publican renewed it with a sure hand, at
ease in whatsoever he did. Then he leaned back against the bar. He wore
no coat. He stood with arms folded, his chin on his chest, his long
moustache hanging. His back was round and slack, so that the lower part
of his abdomen stuck forward, though he was not stout. His cheek was
healthy, brown-red, and he was muscular. Yet there was about him this
physical slackness, a reluctance in his slow, sure movements. His eyes
were keen under his dark brows, but reluctant also, as if he were
gloomily apathetic.
There was a halt. The publican evidently would say nothing. Berry
looked at the mahogany bar-counter, slopped with beer, at the
whisky-bottles on the shelves. Sutton, his cap pushed back, showing a
white brow above a weather-reddened face, rubbed his cropped hair
uneasily.
The publican glanced round suddenly. It seemed that only his dark eyes
moved.
“Going up?” he asked.
And something, perhaps his eyes, indicated the unseen bed-chamber.
“Ay—that’s what I came for,” replied Sutton, shifting nervously from
one foot to the other. “She’s been asking for me?”
“This morning,” replied the publican, neutral.
Then he put up a flap of the bar, and turned away through the dark
doorway behind. Sutton, pulling off his cap, showing a round,
short-cropped head which now was ducked forward, followed after him,
the buttons holding the strap of his great-coat behind glittering for a
moment.
They climbed the dark stairs, the husband placing his feet carefully,
because of his big boots. Then he followed down the passage, trying
vaguely to keep a grip on his bowels, which seemed to be melting away,
and definitely wishing for a neat brandy. The publican opened a door.
Sutton, big and burly in his great-coat, went past him.
The bedroom seemed light and warm after the passage. There was a red
eider-down on the bed. Then, making an effort, Sutton turned his eyes
to see the sick woman. He met her eyes direct, dark, dilated. It was
such a shock he almost started away. For a second he remained in
torture, as if some invisible flame were playing on him to reduce his
bones and fuse him down. Then he saw the sharp white edge of her jaw,
and the black hair beside the hollow cheek. With a start he went
towards the bed.
“Hello, Maud!” he said. “Why, what ye been doin’?”
Public-domain text, read in full here on John Shaqi.
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