Where he that sits on the supernal throne, In majesty most glorious to behold, And holds the sceptre of the world alone, Hath not his garments of imbroidered gold, But he is clothed with truth and righteousness, Where angels all do sing with joyfulness, Where heavenly love is cause of holy life, And holy life increaseth heavenly love; Where peace established without fear or strife, Doth prove the blessing of the soul's behove;[67] Where thirst nor hunger, grief nor sorrow dwelleth, But peace in joy, and joy in peace excelleth. Had all the poem been like these stanzas, I should not have spoken so strongly concerning its faults. There are a few more such in it. It closes with a very fantastic use of musical terms, following upon a curious category of the works of nature as praising God, to which I refer for the sake of one stanza, or rather of one line in the stanza: To see the greyhound course, the hound in chase, _Whilst little dormouse sleepeth out her eyne;_ The lambs and rabbits sweetly run at base,[68] Whilst highest trees the little squirrels climb, The crawling worms out creeping in the showers, And how the snails do climb the lofty towers. What a love of animated nature there is in the lovely lady! I am all but confident, however, that second line came to her from watching her children asleep. She had one child at least: that William Herbert, who is generally, and with weight, believed the W.H. of Shakspere's Sonnets, a grander honour than the earldom of Pembroke, or even the having Philip Sidney to his uncle: I will not say grander than having Mary Sidney to his _mother_. Let me now turn to Sidney's friend, Sir Fulk Grevill, Lord Brooke, who afterwards wrote his life, "as an intended preface" to all his "Monuments to the memory of Sir Philip Sidney," the said _monuments_ being Lord Brooke's own poems. My extract is from _A Treatise of Religion_, in which, if the reader do not find much of poetic form, he will find at least some grand spiritual philosophy, the stuff whereof all highest poetry is fashioned. It is one of the first poems in which the philosophy of religion, and not either its doctrine, feeling, or history, predominates. It is, as a whole, poor, chiefly from its being so loosely written. There are men, and men whose thoughts are of great worth, to whom it never seems to occur that they may utter very largely and convey very little; that what is clear to themselves is in their speech obscure as a late twilight. Their utterance is rarely articulate: their spiritual mouth talks with but half-movements of its lips; it does not model their thoughts into clear-cut shapes, such as the spiritual ear can distinguish as they enter it. Of such is Lord Brooke. These few stanzas, however, my readers will be glad to have: