English and American tool buildersRoe, Joseph Wickham
History
English and American tool builders
Roe, Joseph Wickham
Industrial arts -- Biography; Machine-tools
James Nasmyth was born in 1808, the tenth in a family of eleven
children. Like all of his brothers and sisters, he inherited his
father’s artistic tastes. If he had not been an engineer he would
probably have become distinguished as an artist. He was ambidextrous,
and to the end of his life his skill with his pencil was a constant
source of pleasure and convenience. The notebook in which the later
record of his mathematical ideas is contained, is crowded with funny
little sketches, landscapes, little devils and whimsical figures
running in and out among the calculations. The leaf in this book on
which he made his first memorandum of the steam hammer is shown in Fig.
23. In 1817, Watt, then in his eighty-first year, visited Edinburgh and
was entertained at the Earl of Buchan’s, where Alexander Nasmyth met
him at dinner. Watt delighted all with his kindly talk, and astonished
them with the extent and profundity of his information. The following
day Watt visited Nasmyth to examine his artistic and other works. James
Nasmyth, a nine-year-old boy, returning from school, met him at the
doorstep as he was leaving, and never forgot the tall, bent figure of
“the Great Engineer.”
[Illustration: FIGURE 22. JAMES NASMYTH
FROM AN ETCHING BY PAUL RAJON]
Nasmyth’s father had a private workshop which was well equipped for
those days. Nasmyth played there from childhood and had mastered
the use of all the tools while still a schoolboy. “By means of my
father’s excellent foot lathe,” he says, “I turned out spinning tops
in capital style, so much so that I became quite noted amongst my
school companions. They would give any price for them. The peeries
were turned with perfect accuracy, and the steel shod, or spinning
pivot, was centered so as to correspond with the heaviest diameter at
the top. They could spin twice as long as the bought peeries. When at
full speed they would ‘sleep,’ that is, turn round without a particle
of waving. This was considered high art as regarded top-spinning.”[84]
He established a brisk business in these, in small brass cannon, and
especially in large cellar keys, which he converted into a sort of hand
cannon, with a small touch-hole bored into the barrel and a sliding
brass collar which allowed them to be loaded, primed, and then carried
around in the pocket.
[84] _Ibid._, p. 89.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account